Where’s The Conflict?

idea 2My manuscript is with my publisher, and I won’t return to it until edits roll around. So that means scouting about for a new idea. I’m not the kind of writer who has dozens of story ideas waiting in the wings, I wish I was. No, for me it takes a long time to decide what to write next.

Setting comes first. My books are always set in Australia’s wild places, so there are many wonderful candidates. Rainforests, deserts, mountains, wetlands, woodlands, the coast, our islands – the list goes on and on. Once I decide on a setting, then it’s time for characters and conflict.

conflictStories founder when they don’t have enough conflict. Characters who accomplish things easily are boring. So I always analyse a new premise to make sure enough obstacles exist between the characters and their goals. Obstacles can take many forms. They may be physical – other characters, weather, road blocks, injuries, etc. Or mental – fear, amnesia, ignorance, etc. Or circumstantial – can’t bake bread because there’s no flour, for example. I try to have the conflict evolve organically from the goal though, so no convenient, random anvils falling on character’s heads!

conflict 2The most valuable lesson I’ve learned in my writing journey is to build in conflict by having inherent incompatibility between the goals of my two main characters. This is federal election day, so I’ll use a political example. X and Y are in love. They are also Labor and Liberal candidates respectively, campaigning in the same electorate. Raise the stakes. At the end of counting, the whole election comes down to this one seat. Make the stakes personal. They are both doctors. X has a special needs child named Z. A Labor win means ground breaking new experimental treatment would become available for Z. Y is a recovered drug user. A Liberal win would see Y’s dream of a local clinic for teenage addicts come true. During a recount, ballot papers go missing and suspicions fly.

The world of X and Y has hard-to-resolve conflict built into it. Two strong, opposing points of view, both believing in the rightness of their own positions, with plenty of points of connection. How would their love ever triumph? Now, what will I really write?

Congratulations to roslyngroves who is the winner of the Three Wishes prize draw. I’ll email you for your address. Thanks to everybody who commented!

Why Themes Count

Themes 1I confess that for a long time, I didn’t quite understand the significance of theme in novels. And that was because I didn’t really know what a theme was. I couldn’t point to it or pin it down. If it was so important, how come it was so elusive?  But now I understand that its very mystery is the key to its importance. The central theme of a novel is not presented directly at all. It’s subliminal and must be extracted from the characters, the plot, the setting … in other words, as a reader you need to figure it out for yourself. And what’s more amazing, most of the time, you don’t even know that you’re doing it. That’s where the magic lies! You know intuitively what the story means. You think about it and ask yourself questions. You want to discuss it. The story may haunt your heart and mind long after you close the book.

HemingwayBestselling novelist Larry Brooks puts it like this. ‘ … without strong thematic intentions … a novel is just a sitcom, literary junk food, a quick hit of cheap-thrills genre that you read to pass the time on a flight.’ That’s not what I want for my books. I don’t expect them to win the Miles Franklin, but I do expect them to have emotional resonance. So I’ve learned to think long and carefully about theme.

Theme 3Maybe your book is about the dangers of ignorance, or change versus tradition, or the circle of life. How do you help readers connect with this? Repeating patterns and symbols are good. Allusions can help too. Have characters face the consequences of their behaviour. Have them think aloud. Let them learn a lesson. Serve up views on both sides, so your reader is faced with a dilemma, and must choose. Sometimes, in those marvelous stories that almost write themselves, the theme evolves organically along with the mounting word count. You know perfectly well what the story means, and you trust the reader will know too. This of course is the dream, and it happens more often than you might think. But a powerful theme is too important to leave to chance. It can make the difference between publication and the bottom drawer.

Aussie Auhor MonthIn celebration of Aussie Author Month, I’m giving away a copy each of Brumby’s Run and Wasp Season. Just leave a comment saying – if your WIP or favourite novel had a theme song, what would it be? Winners announced April 30th. Aust & NZ residents only.BB2013_Nominee