Penelope Janu
writes about clever and adventurous women who don’t mean to fall in love, but do. After a long career in law, Penelope now enjoys more creative forms of writing. In the past few years, she has completed four novels. All are set on the coast or in the country, and celebrate Australian communities. Her 2018 novel, On the Right Track, won the Romantic Book of the Year award (contemporary). You can find out more about Penelope at her website.
I grew up in the northern beaches peninsular district of Sydney. It was well after horse and cart days—but was a time when, if there was a vacant block of land down the road, it was perfectly acceptable to keep your horse there. I sometimes rode my pony to school, tethered him next to the oval and rode him home again. When I was fourteen, my family moved to Victoria and we lived in a semi-rural district with a goat, a cat, two dogs and a number of horses. My teenage friend Rina (and our horses), were inseparable for many years and we showed and competed together. Rina still competes in dressage, and has had a great deal of success with thoroughbred ex-racehorses. I always look forward to visiting her property and spending time in her stables!
The natural environment has played an important part in all of my novels. It was when I was working as a legal academic and teaching in a course, ‘The International Legal Regulation of Climate Change,’ that an idea formed for In at the Deep End. Antarctica had always been of interest, and I wanted to portray how important this unique and pristine environment is, and how rising water temperatures threaten not only Antarctica, but the rest of the world. My challenge as a writer was tackling these concepts in an accessible way. What would happen if a climate scientist and an environmentalist, with a similar agenda but very different ways of seeing things, fell in love? In at the Deep End not only explored climate change and relationships, but also charted the challenges faced by the 1900s explorers Robert Falcon Scott and Roald Amundsen’s ‘race to the South Pole.’ Amundsen was successful, but Scott and his team died in their attempt. Scott’s diaries provide a fascinating account of his journey.
In On the Right Track, the lead character is named Golden by her grandfather—an amateur botanist—after acacia pycnantha (golden wattle). I researched and learned a great deal about native flora while writing this novel, and exchanged many emails with a CSIRO scientist who was a specialist in eucalypt propagation. I’d written a ghost gum into my story, set in a rural district in the South West of NSW, and while I knew ghost gums were uncommon in my home state, I didn’t realise exactly how uncommon! The planting of a ghost gum, and its early care, has to be carefully considered for it to have any real chance of survival, but, once my scientist worked out that I had my heart set on this species of gum, he did all that he could to tell me what I had to do to ensure the fictional version survived!
Mistletoe
A plant I learnt a lot about while researching my Christmas novella, The Six Rules of Christmas (part of the HarperCollins Our Country Christmas anthology), is mistletoe. Unlike England, which has only one variety of this mistletoe, Australia has many varieties, many of which mimic the look of the host tree through leaf size and shape (spot the mistletoe in the eucalypt in the photo!). As a parasitic plant, mistletoe is often thought to be harmful to the host plant, but it rarely harms a healthy tree, attracts bird life and can be an important source of nutrients.
My November release, Up on Horseshoe Hill, is set in the Central West of NSW, and tells the story of a farrier, and a geneticist vet who specialises in wild animal conservation. I learnt a great deal about the hoof treatment of wild animals while researching this novel. Many animals kept in zoos as part of conservation programs have to be anaesthetised when they require treatment, but keepers and handlers increasingly use cooperative reinforcement (not involving force or compulsion, but incentives in the form of reward) in order to avoid anaesthetic. In this way, for example, a giraffe or elephant will place their feet into positions that allow farriers and vets to work on them safely. I can’t wait for the release of this book, which is available for pre-order now at a discounted price on Amazon, ITunes, Kobo, Booktopia and all good bookstores.
My next title will focus on the Macquarie Marshes, a wetlands region in the north of NSW. I’m doing a lot of reading on the environmental importance of wetlands, and planning a road trip (my favourite part of research), in the next couple of months!
Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!
I’d gone to the centre purely to research the process for my book but in a very short time found myself immersed in the sessions in a much more personal way. The small group session included a combination of talking to the practitioners, spending time purely in the presence of the horses – in this case, a small herd of magnificent Friesians – and then grooming and doing groundwork with a particular horse. This was followed by deep reflection on the process and the emotions it triggered. A huge part of the process – this form being equine-assisted learning rather than actual therapy – was to slow down, listen to both the horse and your own reaction and to take the time to truly connect in the moment. Dealing with my own grief after losing my closest friend wasn’t something I anticipated but those feelings decided they wanted out and while this sort of loss isn’t something you ever really recover from, working with the horses was a hugely cathartic, helpful experience
This week, international best-selling Aussie author 
When I wrote 
Zac meets Ava, with instant attraction on both sides. But how can there be any future when he’s definitely a city guy and she is the Desert Midwife? Pop in another nasty car accident, and Zac’s amnesia really puts a hold on their relationship.
Today I’d like you to meet well-known Aussie author Juanita Kees. She creates emotionally engaging worlds steeped in romance, suspense, mystery and intrigue, set in dusty, rural outback Australia and also on the NASCAR racetracks of America.
Today I’d like to introduce you to Aussie author Leisl Leighton, a fellow horse lover! Leisl is a tall red head with an overly large imagination.
All my published novels so far have rural settings, mostly in mountainous or farmland regions, and the only explanation I can give is that I feel so at home where there are hills and mountains and, if I’m very lucky, snow.
It started when a family friend who also loved horses, the bush and horse riding, took me on a 5-day horse riding trek from Omeo through the Victorian Alpine region when I was thirteen. We rode along the high plains and down into the valleys, across rivers and back up again, staying in stockman’s huts and old woolsheds. I skinned rabbits, avoided snakes, survived sleeping in a shed with spiders as big as my face, and it was amazing and exhilarating and tiring and so much fun I still remember it vividly to this day. My sister was always a little jealous she didn’t get to come with me and our family friend, so mum and dad decided to enrol us in a horse riding camp down near Anglesea where we got to ride through the state forest and learn to look after the horses. We rode through heat and torrential rain, cold so profound that it snowed and we loved every moment. We did this every year through high school, and it had such a profound effect on me, that my husband thought it the perfect place to propose to me. He sneakily organised a special ride with just us and a stop in a lovely scenic place so he could pop the question. So romantic!
But I digress. Years after we finished high school and stopped going to the camps, my sister and I wanted to experience horse riding through the bush again. She particularly wanted to do a ride through the Victorian Alps and the family friend who had taken me all those years ago was keen to come with us too.
Today I’d like you to meet Jenn J McLeod, a dear friend of mine and a marvellous rural Aussie author. She is a real-life nomad, living on the road, and spinning fabulous stories about our vast and unique country. Now, over to Jenn! 🙂
The Barrett family from Henderson Park Farm Retreat (near Yeppoon) had expected we’d stay a month. We stayed three! Camped – literally – in a paddock, I got to listen to the family’s many stories by night. Then each day, amidst the sights, sounds and smells of the country, I wrote like a crazy person. When we finally drove away (with the clanking of a big chain and padlock behind us—only joking, I think!) I had a completed draft of A Place to Remember—an epic tale of love lost and found—and for the next 18 months I reworked the storyline with those Henderson Park ‘guides’ sitting on my shoulder, prompting me, and helping me imagine I was still on the land that inspired the story. I will always be grateful to the Barrett family who welcome my visits every year.
We have a huge country crying out for sprawling stories set on equally sprawling cattle stations. Colleen McCullough (The Thorn Birds, three decades ago) was my introduction to Aussie authors writing in this romantic saga genre, and beautifully woven throughout her storytelling is the harshness of the setting that is Drogheda. I wanted to do the same, so I created Iron Pot Hill Farm Retreat, using Henderson Park’s ancestors as my muse.
This land of ours is so big and beautiful and different every day if we choose to look at the detail—the big, the small, the beautiful, the special, the crazy! I love it all. And so the journey continues. I’m happy to stay nomadic for a while yet, to keep writing stories, and ticking places off the bucket list.
In 2017, the rights for A Place to Remember were bought by a UK Publisher, Head of Zeus, and by the same person who acquired The Thorn Birds thirty years earlier. She saw something special in the landscape and the story, too, and for that reason Henderson Park Farm Retreat (
My stories are not voices so much as pictures in my head, moving pictures. Characters are formed on a twist of a brow or a turn of a hand. Sometimes the first thing to come along will be a character’s name. Always the two words that follow are ‘What if?’
