Tag Archives: Australian Rural Fiction

The Rivertown Vet Release Day!

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Celebrating the release of The Rivertown Vet – a story of courage, conservation, and coming to terms with the past.

Today marks a momentous occasion as my new novel The Rivertown Vet hits the shelves. This tale is not just one of romance and animal conservation. It’s a moving narrative about overcoming the shadows of our pasts.

Set against the picturesque backdrop of the Murray River in South Australia, we meet Rivertown vet, Jana, and her sister Sash, who have dedicated their lives to running Odessa, a wombat sanctuary that stands as a testament to their love for native wildlife. Their days are filled with the kind of hard work that feeds the soul, committed to the sanctuary’s mission while barely scraping up enough money each month to make ends meet. However all this changes when Jana is offered the chance to manage Wildfell Park, a neglected local zoo that is desperately in need of her passion and expertise.

Taking over Wildfell Park is not just a job for Jana; it’s a calling. Here lies the opportunity to expand Odessa’s mission, transforming Wildfell into a haven for endangered species like the Tasmanian Devil and forging an alliance with Aussie Ark, a beacon of hope for Australia’s native animals.

Yet, beneath the surface of this inspiring endeavour lies a personal tale of heartbreak. Jana harbours a secret, a remnant of her past that has left deep emotional scars, affecting her relationships and trust in others. The arrival of a figure from her school days, now crucial to Wildfell Park’s future, forces Jana to confront these demons. The unfolding drama is compounded by the emergence of protestors and a series of dangerous incidents that threaten to derail everything Jana has worked for.

The Rivertown Vet navigates the complexities of human emotion and the intricate relationships we share with each other and the animal kingdom. It’s a story that champions the spirit of reconciliation and the courage it takes to face our fears for the greater good. I invite you to dive into the pages of this heartwarming story, cheering for Jana as she navigates the complexities of life, love, and the wild.

Here’s the blurb:

Local vet Jana Malinski runs a wombat sanctuary with her sister on their family’s serene property by the Murray River. But Jana’s routine is up-ended after a chance encounter with handsome accountant and single dad Mark – the man who broke her heart in high school.

Offered the opportunity to run Wildfell Park, the town zoo that has fallen into disrepair, Jana must push past her hostility to save the local landmark and home to countless native and exotic animals. But working alongside Mark every day isn’t easy, especially given the undeniable attraction between them. While she fights her feelings, a new danger emerges – one that could threaten the very existence of Wildfell Park and Jana’s dreams of an ideal future.

Set in the gorgeous river country of South Australia The Rivertown Vet is a heartfelt and charming tale about community, conservation and kindness.

Meet S M (Sandy) Spencer

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S M (Sandy) Spencer writes romance, with just a touch of spice, set mainly in the Australian state of Victoria. She grew up reading the romantic suspense works of incredible authors such as Daphne du Maurier and Mary Stewart. Their books stirred in her a passion that would last a lifetime — a passion to write stories that would stay with readers long after they’d finished the books.

I grew up in a small Californian coastal town, dreaming about riding horses and becoming a writer. After a long career in the corporate world, one that landed me in Australia in the 1980s, I found myself in a position to realise that dream!

Now retired, I write from the semi-rural home I share with my husband, horses, cats and dogs, as well as the kangaroos that pass through the paddocks on nearly a daily basis. But it isn’t just kangaroos that visit our semi-rural property. We see echidnas,  blue-tongue lizards, rabbits, ducks, and every sort of parrot you can imagine. Recently we had a pair of Gang-Gang Cockatoos that I had to go onto the internet to identify. But the biggest surprise was the day a koala arrived in the front paddock and stayed the night! He was no doubt lost, perhaps pushed down to escape the bushfires in the nearby State Park, and by morning he was gone.

 

Just like my lovely hostess, Jennifer, I’m not only an animal lover, but also a keen horse-rider. I bought my first horse shortly after getting my first job at the age of sixteen, and haven’t looked back. I’ve traded California’s beaches and rolling coastal hills for country lanes and backroads, and I’ve become pretty much a fair weather rider, but my beautiful Arabian mare continues to allow me to ride her even though I’m sure she wonders why it’s always her that gets ridden (and not her two paddock partners, a retired buckskin and a rescue horse with permanent leg damage).

So, does all this make its way into my books? Short answer; sometimes. My Copperhead Creek Australian Romance series is set in a made up town called Willows, situated in Victoria’s Golden Triangle area.  Most of the books in the series feature heroines who do what I always wanted to do—move to the country to have horses, and end up finding true love.

Each book in the series can be read as a stand-alone with respect to the romance, as each has its own couple who find their happy for now ending. However, if you read them in order you’ll see characters from earlier books making appearances throughout, as the lives of the characters in the small town overlap and tangle.

 

A Chance To Come True

Caity Jones wasted a lot of years waiting for the “two kids, a dog and a white picket fence” dream to come true, but she’s ready to move on now. Letting go of society’s idea of the perfect life, she’s purchased a five-acre property in the small rural town of Willows. She’s determined to live a solitary life and become a writer. And that means staying away from men altogether.

Tom Murray owns and runs the local feed store in Willows. His marriage was a failure but his family is strong, and he can’t imagine a world that didn’t include his three young children. He’s an uncomplicated man, living an uncomplicated life—and he has every intention of keeping it that way.
Both are mature … both have baggage … and both have agendas that don’t include romance.
And then they meet.

 

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Penelope Janu

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Penelope Janu writes about clever and adventurous women who don’t mean to fall in love, but do. After a long career in law, Penelope now enjoys more creative forms of writing. In the past few years, she has completed four novels. All are set on the coast or in the country, and celebrate Australian communities. Her 2018 novel, On the Right Track, won the Romantic Book of the Year award (contemporary). You can find out more about Penelope at her website.

 

I grew up in the northern beaches peninsular district of Sydney. It was well after horse and cart days—but was a time when, if there was a vacant block of land down the road, it was perfectly acceptable to keep your horse there. I sometimes rode my pony to school, tethered him next to the oval and rode him home again. When I was fourteen, my family moved to Victoria and we lived in a semi-rural district with a goat, a cat, two dogs and a number of horses. My teenage friend Rina (and our horses), were inseparable for many years and we showed and competed together. Rina still competes in dressage, and has had a great deal of success with thoroughbred ex-racehorses. I always look forward to visiting her property and spending time in her stables!

The natural environment has played an important part in all of my novels. It was when I was working as a legal academic and teaching in a course, ‘The International Legal Regulation of Climate Change,’ that an idea formed for In at the Deep End. Antarctica had always been of interest, and I wanted to portray how important this unique and pristine environment is, and how rising water temperatures threaten not only Antarctica, but the rest of the world. My challenge as a writer was tackling these concepts in an accessible way. What would happen if a climate scientist and an environmentalist, with a similar agenda but very different ways of seeing things, fell in love? In at the Deep End not only explored climate change and relationships, but also charted the challenges faced by the 1900s explorers Robert Falcon Scott and Roald Amundsen’s ‘race to the South Pole.’ Amundsen was successful, but Scott and his team died in their attempt. Scott’s diaries provide a fascinating account of his journey.

In On the Right Track, the lead character is named Golden by her grandfather—an amateur botanist—after acacia pycnantha (golden wattle). I researched and learned a great deal about native flora while writing this novel, and exchanged many emails with a CSIRO scientist who was a specialist in eucalypt propagation. I’d written a ghost gum into my story, set in a rural district in the South West of NSW, and while I knew ghost gums were uncommon in my home state, I didn’t realise exactly how uncommon! The planting of a ghost gum, and its early care, has to be carefully considered for it to have any real chance of survival, but, once my scientist worked out that I had my heart set on this species of gum, he did all that he could to tell me what I had to do to                                                          ensure the fictional version survived!

Mistletoe

A plant I learnt a lot about while researching my Christmas novella, The Six Rules of Christmas (part of the HarperCollins Our Country Christmas anthology), is mistletoe. Unlike England, which has only one variety of this mistletoe, Australia has many varieties, many of which mimic the look of the host tree through leaf size and shape (spot the mistletoe in the eucalypt in the photo!). As a parasitic plant, mistletoe is often thought to be harmful to the host plant, but it rarely harms a healthy tree, attracts bird life and can be an important source of nutrients.

 

My November release, Up on Horseshoe Hill, is set in the Central West of NSW, and tells the story of a farrier, and a geneticist vet who specialises in wild animal conservation. I learnt a great deal about the hoof treatment of wild animals while researching this novel. Many animals kept in zoos as part of conservation programs have to be anaesthetised when they require treatment, but keepers and handlers increasingly use cooperative reinforcement (not involving force or compulsion, but incentives in the form of reward) in order to avoid anaesthetic. In this way, for example, a giraffe or elephant will place their feet into positions that allow farriers and vets to work on them safely. I can’t wait for the release of this book, which is available for pre-order now at a discounted price on Amazon, ITunes, Kobo, Booktopia and all good bookstores.

My next title will focus on the Macquarie Marshes, a wetlands region in the north of NSW. I’m doing a lot of reading on the environmental importance of wetlands, and planning a road trip (my favourite part of research), in the next couple of months!

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Pamela Cook

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Pamela Cook writes page-turning women’s fiction set in escape-worthy places. Her novels feature tangled family relationships, the ups and downs of friendship and explore life issues like grief, belonging and love. Her novels include Blackwattle Lake (2012) Essie’s Way (2013), Close To Home (2015) and The Crossroads (2016). Her September 2019 release is Cross My Heart. Pamela is the co-host of the exciting new podcasts Writes4Women and Writes4Festivals, and Assistant Program Director for the Storyfest Literary Festival which takes place in Milton, on the south coast of NSW, Australia in June each year. Pamela is proud to be a Writer Ambassador for Room To Read, a not-for-profit organisation that promotes literacy and gender equality in developing countries. When she’s not writing, podcasting or festival planning she wastes as much time as possible riding her handsome quarter horses, Morocco and Rio.

More Than Research: Re-connecting Through Equine Assisted Learning.

Like my lovely host Jennifer Scoullar, I’m an animal-lover and horse rider. I only came to riding as an adult – apart from a few trail rides when I was in my teens – but have always had a sense of the power and sensitivity of horses.

Back when I was researching the Black Saturday bush fires for my first novel, Blackwattle Lake, I came across an article about horses being used as a unique form of therapy. Overcoming trauma by spending time with horses in a supervised, supportive environment was helping some of the victims of the fires come to terms with their experiences.

Intrigued, I kept that article from The Good Weekend and always knew I’d write about it someday. So when it came to finding a form of therapy to help a traumatised child in my latest story, the idea appeared instantly. I read quite a few pieces on the various forms of therapy, watched some you-tube videos and checked out websites but it was spending a day actually working with horses at Horsanity that really helped me to understand how life-changing working with horses can be.

I’d gone to the centre purely to research the process for my book but in a very short time found myself immersed in the sessions in a much more personal way.  The small group session included a combination of talking to the practitioners, spending time purely in the presence of the horses – in this case, a small herd of magnificent Friesians – and then grooming and doing groundwork with a particular horse. This was followed by deep reflection on the process and the emotions it triggered. A huge part of the process – this form being equine-assisted learning rather than actual therapy – was to slow down, listen to both the horse and your own reaction and to take the time to truly connect in the moment. Dealing with my own grief after losing my closest friend wasn’t something I anticipated but those feelings decided they wanted out and while this sort of loss isn’t something you ever really recover from, working with the horses was a hugely cathartic, helpful experience

I came away with invaluable information for my book but also feeling refreshed, grounded and more at peace. I’m hoping that the information I’ve included in my plot for Cross My Heart will intrigue readers, even those who are (weirdly!) not horse lovers.

While Equine Therapy and Equine Assisted Learning remain quite left field, they are being used more and more to help both children and adults overcome trauma, including returned soldiers and victims of domestic violence. Tapping into the primal wisdom of these beautiful creatures for my novel was such a joy and it’s an experience I hope to repeat some time in the future.

                     CROSS MY HEART
When a promise kept means a life is broken …
Tessa De Santis’s child-free marriage in inner-city Sydney is ordered and comfortable, and she likes it that way.
Leaving her husband and successful career behind, Tess travels to an isolated property where the realities of her friend’s life – and death – hit hard. The idyllic landscape and an unexpected form of therapy ease her fears, and her relationship with Grace begins to blossom.
          Cross My Heart is a haunting story of guilt, redemption and friendship set in the beautiful central west of New South Wales.
            * Universal Buy Link – click here

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Susanne Bellamy

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Today we welcome Susanne Bellamy to the blog. Born and raised in Toowoomba, Susanne is an Aussie author of rural romance set in Australia. She also writes contemporary and suspense romances set in exciting and often exotic locations. She adores travel with her husband, both at home and overseas, and weaves stories around the settings and people she encounters. Mentoring aspiring writers, and working as a freelance editor keeps Susanne off the street!

Our country has stunning landscapes, which often become characters in their own right. Sometimes, so too do animals, especially in rural-set fiction.

Back in the dark ages when I was a child, we had budgies and a small bitsa dog my mother named Tiger. My husband is a dog lover with a particular fondness for German Shepherds. Cats send my husband into a sneezing frenzy and are to be avoided at all costs so we have always been a ‘dog family’.

We’ve had several Shepherds, starting with Ricky (Houdini hound extraordinaire) through to our current queen of the house, Freya. Then there was Clyde, the Welsh Springer spaniel with a talent for escaping so he could go scrub-bashing through the bush at the bottom of our property. He had such flexible paws that he actually climbed the fence!

Our string of dogs is a large part of why I often grant my characters the joy of a canine companion.

After the passing of our lovely Anna (Freya’s great-aunt), I wrote a short story in which she was the star who brought the protagonists together. Anna had such a beautiful nature and giving her a story of her own was a way of dealing with the grief of losing her. Second Chance Café.

Anna also inspired scenes between Paul, the hero of Starting Over, and his elderly collie, Jack. I still cry when I read those scenes, drawn from my grief in losing Anna.

In my newly released In the Heat of the Night (Bindarra Creek A Town Reborn), my heroine’s brother, Nico, is the dog lover. Thalia’s Greek migrant family owns the Cyprus Café in the heart of town, and Zeus is lost and lonely when his master ends up in hospital.

Zeus, Nico’s German Shepherd, trotted behind her, dropped and rested his head on Thalia’s feet. He whimpered, the sound echoing Thalia’s sense of Nico’s absence.

She bent down and stroked his head. “You’re missing him too, aren’t you, boy? I’ll take you for a walk later.”

Most of my stories are set in small town Australia, rural settings where animals are part of the life of the community. From the poddy calf in Hard Road Home, and the horses of Sarah, the endurance rider in Long Way Home to pets like Zeus and Anna, animals are special characters that enrich the lives of their owners and entertain readers.

Here’s a snippet of Hughie, the poddy calf:

Geilis shooed the poddy calf back through the broken fence and looked for a simple means to keep the fallen picket upright while she walked all the way to the work shed, retrieved tools and came back—on the quad bike next time. “I really don’t have time for this, little fella, so please, just stay there while I—” She grabbed a branch and rammed it into the hard dirt before angling it towards the picket. It held . . . for all of three seconds before the inquisitive calf nosed at her work. She jumped backwards as both branch and picket fell with dull thuds. “Drat and double drat.”

“Is that worse than a single damn?” Rick’s amused voice sounded nearby.
          Slapping her hands on her hips she faced him, embarrassment warring with mild relief. If she left the calf while she walked back to the shed, he’d be goodness knew where by the time she got back to the fence. In amongst the vines most likely. “See if you can do better—or, better still, why don’t you go back and get tools to fix this while I spend some time explaining to Hughie here why he isn’t allowed this side of the fence.”
          The calf nudged her in the backside and she turned and shooed him back into his paddock. Picking up the fallen picket she tried to hold it in place as the calf mooed in complaint.
          “Hughie?” Rick tipped his head and eyed off the calf determinedly pushing against her hand.
          “Yeah, like Hugh Hefner. The grass is always greener and all that.”
          Rick turned his attention to the fallen fence, picked up the branch and threaded it through the wires. He thrust the end of the branch into the picket hole with a thud. Eyeing off the calf, he fixed it with a stern look. “No touching that, Hughie-boy, unless you want to find out what prairie oysters mean. Got it?”
          The calf mooed as though it understood and trotted away.
Hard Road Home

If you like what you’ve read, please check out my books HERE.

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

 

Meet Fiona McArthur

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This week, international best-selling Aussie author Fiona McArthur joins me on the blog. In her non-writing life she has worked as a midwife – hence the medical themes that recur in her books. The power and strength in women of all ages is a constant theme in Fiona’s books. To find out more, read on!

Hello Jennifer and readers.

Thanks for this fab series of blogs. There’s so much joy to be had with all the different books from Australian authors. One of the standouts for me is imagining the vast variety of vibrant landscapes described in our rural and outback books and the way each author portrays their connection to the land they write about. I think the scenery is so important that I like to think of that landscape as another character in my books.

The other really exciting part is sharing the strengths, the challenges and the joys of the characters who live in the more remote areas of Australia. I love writing about small rural townspeople, adventures in great outback landscapes, inhabitants of remote islands, and the station owners on far reaches of our great country.

I’ve had the most wonderful time with my outback books and of course there is always a birth, a baby or a medical emergency to be had. Think Call The Midwife meets Country Practice. As a retired midwife I can’t help myself.

So babies or medical emergencies in outback Queensland, Western Queensland, remote New South Wales like Broken Hill, and all that land that stretches away down to Victoria across to Northern Territory and up towards Queensland.

At the moment, I’m writing about the far north, and loving it, but my first book for Penguin was set in a town very similar to Windora in Western Queensland. I called the town and the book Red Sand Sunrise and I can still see in my mind’s eye that huge red sand hill outside the town. I just love that feeling of solitude sitting on top of that rolling sea of beautiful big crystals of bright orange sand at sunrise. I really wanted to share that and other beautiful aspects of Australia in each new setting with my readers.

When I wrote The Homestead Girls and Heart Of The Sky they were set around Broken Hill, in New South Wales. We stayed at a station twenty miles out of town called Mount Gipps Station, which used to be a million acres, and was the original station where the ‘line of load’ that body or ore that was discovered at Broken Hill. Mount Gipps Station holds the most incredible variety of rocks, crystals and stones in rows like skeletal ridges and the paddocks roll away with small scrubby bushes and hidden hollows. There are sandy curves of the creek beds with huge white-trunked gums in the middle and gully’s that close in as you drive down them. It’s an arid but magical place.

The station couple I met there were the epitome of down-to-earth, brave, hard-working, laid-back heroes and were just all-out inspirational with their ability to take the tough times with the good times and turn their hands to anything that needed to be done.

I have this memory of Kym driving off with her dogs on this quad bike up to the sheep yards. She makes me smile just thinking about her. You might have seen her mailbox that I posted to my Homestead Girls Facebook page. I love it so much I actually added it to two books.

Which brings me to my new release, The Desert Midwife. The Mount Gipps mailbox is in there too. Such fun.

The Desert Midwife is set in central Australia. Uluru has a starring role and there’s a hospital in Alice Springs and a medical centre near Uluru to have emergencies in. My heroine, Ava, is part of a long-standing station family whittled down to three generations of women. Ava’s younger brother, Jock, is being destroyed by the drought and his feelings of failure to secure the futures of all the women he loves.

Our hero, fly in fly out Dr Zach, is a widower, who has come to Alice Springs to briefly escape the memories of the prolonged and tragic death of his wife in Sydney and his own guilt as the driver of the car she was so badly injured in.

Zac meets Ava, with instant attraction on both sides. But how can there be any future when he’s definitely a city guy and she is the Desert Midwife? Pop in another nasty car accident, and Zac’s amnesia really puts a hold on their relationship.

The Desert Midwife is about families pulling together in tough times, about the beauty and magic of Uluru which I hope inspires readers who haven’t seen its majesty to venture the distance out there, and about having faith and trust that things will work out if we have the belief. I hope you will pick up the book, lose yourself in the desert, and smile at the end when you put it down. With warmest wishes for happy reading
Xx Fi

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Leisl Leighton

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Today I’d like to introduce you to Aussie author Leisl Leighton, a fellow horse lover! Leisl is a tall red head with an overly large imagination.

A voracious reader and born performer, she has had a career as an actor, singer and dancer, as well as script writer, stage manager and musical director for cabaret and theatre restaurants. She writes rural romatic suspense and paranormal romance. President of Romance Writers of Australia from 2014-2017.

ROMANTIC SUSPENSE, VICTORIAN ALPS & HORSE RIDING

All my published novels so far have rural settings, mostly in mountainous or farmland regions, and the only explanation I can give is that I feel so at home where there are hills and mountains and, if I’m very lucky, snow.

When I was younger, my family holidays were mostly to the snow or going down to Merricks, near Red Hill, or up to Marysville, but some of my most memorable holidays have been ones where there have been trips into mountainous regions, and even better, if there is horse riding involved.

When I was nine, I started having horse riding lessons. I was by no means a natural, but I loved horses and I desperately wanted to be able to ride proficiently, with the hope I might have a horse one day. That particular dream never eventuated, but the horse-riding lessons led into some of my most memorable holidays.

It started when a family friend who also loved horses, the bush and horse riding, took me on a 5-day horse riding trek from Omeo through the Victorian Alpine region when I was thirteen. We rode along the high plains and down into the valleys, across rivers and back up again, staying in stockman’s huts and old woolsheds. I skinned rabbits, avoided snakes, survived sleeping in a shed with spiders as big as my face, and it was amazing and exhilarating and tiring and so much fun I still remember it vividly to this day. My sister was always a little jealous she didn’t get to come with me and our family friend, so mum and dad decided to enrol us in a horse riding camp down near Anglesea where we got to ride through the state forest and learn to look after the horses. We rode through heat and torrential rain, cold so profound that it snowed and we loved every moment. We did this every year through high school, and it had such a profound effect on me, that my husband thought it the perfect place to propose to me. He sneakily organised a special ride with just us and a stop in a lovely scenic place so he could pop the question. So romantic!

But I digress. Years after we finished high school and stopped going to the camps, my sister and I wanted to experience horse riding through the bush again. She particularly wanted to do a ride through the Victorian Alps and the family friend who had taken me all those years ago was keen to come with us too.

We found a place near Merrijig up near Mt Buller that took people on different length horse treks. Riding up Mt Stirling to Craig’s Hut and then down into the Howqua Valley and around Mt Buller. Staying in some of the famous old sheep yard flats and camping every night. It was a four day trek and we had the time of our lives. Out of touch with civilization – no phone signal for most of the time, which was really very relaxing. Riding hard all day through gorgeous mountain country. Setting up a tent every night with every muscle aching. Falling asleep in the cold autumn nights to wake to the kind of fresh you don’t get anywhere else. We are keen to go again.

Walhalla

It was on this trek that I started having an idea about a suspense novel set in an alpine region on a horse-riding stud. The idea bloomed and grew and before I knew it, I was writing a coming home novel with growing suspense and a hot and feisty romance. That book turned into Climbing Fear. It’s set near the small ex-goldmining town of Walhalla at the southern end of the Victorian Alps – a charming place I visited years ago when tour managing a theatre restaurant show around the La Trobe Valley.  I poured all my love of the alpine region and the knowledge gained from my horse riding treks into the story. I hope the reader gets an amazing sense of the beauty of the Victorian Alps and the joy I feel when I leave civilisation behind on the back of a horse, seeing our gorgeous bush in a way that our early settlers did (although obviously not as hard as they had it!) I also hope they find Nat and Reid’s journeys home to discover themselves and each other, as fascinating and visceral as the setting.

Climbing Fear

A Coalcliff Stud novel—His beloved home is under threat, and with it the beautiful, haunted woman he’s never been able to forget …

X-Treme TV sports star Reid Stratton has everything—until his best friend falls to his death on a climb while shooting their show. In the fierce media fallout, Reid begins to question everything about himself. Crippled by a new fear of climbing, Reid returns to CoalCliff Stud, his family’s horse farm, to recover.

Single mother Natalia Robinson is determined to start afresh, away from the shadow of her past. A job at CoalCliff Stud where she lived as a child is the perfect opportunity to live the quiet life she always wanted. But she is unprepared to see Reid, and is even more unprepared for the passion that still burns between them.

But after a series of menacing events threaten the new home she is trying to build, Nat realises that Reid is the only person she can rely on to keep her and her daughter safe. Together, Reid and Nat must face the pasts that haunt them if they are to survive the present and forge a future of hope.

Climbing Fear is available at iTunes, Amazon,  Kobo and Google Play

Dangerous Echoes: Book 1 of the Echo Springs Series
iBooks, Google Play, Kobo, Amazon

Or you can buy the four book series, Echo Springs in paperback at Big W, Kmart and online at Angus&Robertson, Booktopia, The Nile, Boomerang Books, Dymocks

If you’d like to know more about Leisl, her books, or connect with her online, you can visit her webpage, follow her on twitter @LeislLeighton or like her Facebook page.

 

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Kim Kelly

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Today I’m introducing Aussie author Kim Kelly, who is also a widely respected book editor. Stories fill her everyday – most nights, too – and it’s love that fuels her intellectual engine. In fact, she takes love so seriously she once donated a kidney to her husband to prove it, and also to save his life! Over to Kim …

Home

Australia is a bold, romantic character herself and she makes her presence felt in all my novels, whether they’re set in coastal Sydney, where I was born and raised, or west of the Great Divide, where love has taken me. We’re never stuck for dramatic backdrops in this country, are we? From glittering harbourside cities to red desert vistas that stretch on forever under bright blue skies, we have it all.

My heart country lies in the centre of New South Wales, beyond the rugged sandstone escarpments of the Blue Mountains. This slice of Australia I call home today is a land of wide rolling hills, tall sprawling eucalypts and golden sunsets, circling the tiny village of Millthorpe, where summer is sun-crisped and winter snow-dusted.

Beneath rich layers of basalt soil, these hills are full of gold, too, and the whisperings of history. Almost the minute I moved here, I knew I was going to have to write a goldrush tale, and so l did: Lady Bird & The Fox, published just last year, a very Australian wild west story of bushrangers, reckless riding, and a quest for a place to call home.

This is a place where, in the dawn mists, I can almost see the Wiradjuri warriors who fought their fierce guerrilla war against the British army for their country – a country as big as England. Land that was never ceded by treaty of any kind.

The privilege I feel at being lucky enough to live here sings through everything I write. How did this scrappy descendant of Irish and German immigrants get here at all? It’s this sense of wonder and curiosity that almost fifteen years ago drove me to write my first novel, Black Diamonds, set in the coalfields of Lithgow at the foot of the mountains, during the First World War. It’s a story that looks up at the sandstone cliff-faces of the mountains, flashing fire under the setting sun, and says: Wow.

Following the footsteps of my real-life falling in love, my next novel, This Red Earth, traces paths further west, out to the broad plains of Nyngan and the drought that gripped the country there during the Second World War. My muse de bloke, Deano, who works in exploration, was out that way at a time when I was wondering where on earth I was. He has a way of drawing me home wherever he is, sending me photographs from all over, especially of birds and flowers, many of them finding their way into my stories too: a willy wagtail on a fence post; a tiny purple daisy sprung from copper dirt; overgrown railway tracks to nowhere.

When Deano was surveying underground at Hill End, in the lonely, ghost-town high country north of Bathurst, he took me out along the original, crumbling bridle track in a four-wheel-drive that seemed almost as ancient as the towering range through which the old road snakes. Breathtaking. Terrifying. And it inspired another novel, Paper Daisies, set in that same country at the turn of the twentieth century, exploring some worse terrors that women in those days too often faced alone. But when the heroine of that story breaks into a sweat along that treacherous track, you’ll know there’s a bit of autobiographical detail going on there.

There really is no place like the home that pulls you back and back, though. My latest tale, Sunshine, is set on the banks of the Darling River, near Bourke, on the desert’s edge in the north west, where Deano was born. I’d wanted to write a story for him, of him, for a long time, but stories often take their own good time. Sunshine takes us to 1921, when the river was high and healthy, and ripe for that country’s first citrus crop. A time of soldiers returning to rebuild shattered lives, finding their own paths through healing, and remaking home by their own hands and hearts.

But it’s the home I wake up to every morning that gives me an endless, everyday joy. When Deano and I were looking for our forever patch, driving around the dusty country lanes of Millthorpe, we found lovely drifts of sky-coloured blooms along the verges. I had no idea what they were, so of course I had to fossick for the facts straightaway. It was chicory, a crop grown here a century ago, now gone wild. On wondering how this hardy, cheerful little plant got here from Europe, I wondered again how I’d got here, too, and Wild Chicory was born. It’s a love song to my grandmother, and to every immigrant who’s ended up here, searching for home. We’re all just beautiful weeds.

Latest book: Sunshine by Kim Kelly

A tale of longing, loss and growing love under the bright Australian sun.

It’s 1921 and the Great War has left in its wake untold tragedy, not only in lives lost, but in the guilt of survivors, the deep-set scars of old wounds and the sting of redoubled bigotries.

In the tiny hamlet of Sunshine, on the far-flung desert’s edge, three very different ex-servicemen – Jack Bell, an Aboriginal horseman; Snow McGlynn, a laconic, curmudgeonly farmer; and Art Lovelee, an eccentric engineer – find themselves sharing a finger of farmland along the Darling River, and not much else. That is, until Art’s wife Grace, a battle-hardened nurse, gets to work on them all with her no-nonsense wisdom.

Told with Kelly’s inimitable wit and warmth, Sunshine is a very Australian tale of home, hope and healing, of the power of growing life and love, and discovering that we are each other’s greatest gifts.

Author bio

Kim Kelly is the author of eight novels exploring Australia and its history, including the acclaimed Wild Chicory and The Blue Mile, and UK Pigeonhole favourite, Paper Daisies. Her stories shine a bright light on some forgotten corners of the past and tell the tales of ordinary people living through extraordinary times.

Originally from Sydney, today Kim lives on a small rural property in central New South Wales just outside the tiny gold-rush village of Millthorpe, where the ghosts are mostly friendly and her grown sons regularly come home to graze.

Praise for Kim Kelly
‘ … colourful, evocative and energetic’ – Sydney Morning Herald
‘Kelly is a masterful creator of character and voice’ – Julian Leatherdale
‘Why can’t more people write like this?’ – The Age

Buy Sunshine paperback at Booktopia, Book Depository and all other major online retailers. Buy the ebook at: Amazon, IBooks, Kobo and Google Play.

You’ll find Kim at her website, kimkellyauthor.com, and on Facebook (@KimKellyAuthor), Twitter (@KimKellyAuthor) and Instagram (@kimkellyauthor)

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

Meet Jenn J McLeod

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Today I’d like you to meet Jenn J McLeod, a dear friend of mine and a marvellous rural Aussie author. She is a real-life nomad, living on the road, and spinning fabulous stories about our vast and unique country. Now, over to Jenn! 🙂

Thanks Jen. We have so much in common (besides a great moniker and a hotel named after us in Mt Gambier!): We are both wildlife warriors (and animal advocates in general) and we both love the land.

As Australia’s nomadic novelist (on the road fulltime since 2014 in a purple and white caravan named Myrtle the Turtle) I am constantly discovering new things and being inspired by the remarkable contrast and the vastness of this country.

Landscape has always been a big part of my small-town fiction and I like to put as much love into my settings as I do my characters. But it was my 5th novel – A Place to Remember — that became a turning point for me. In fact, if an author of women’s fiction is allowed an opus, A Place to Remember would be mine. (A sprawling multi-generational romantic saga about two women—a mother and a daughter—who discover love on the same central Queensland cattle station three decades apart.)

So many things guided me to write this story, starting with a lovely couple we met on the road in 2014 who said, “Come and stay on our property in Qld. We have lots of room”. So we did, and I now truly believe two things: we all have travel ‘guides’ (and I don’t mean Lonely Planet); and that people come into our lives for a reason.
The Barrett family from Henderson Park Farm Retreat (near Yeppoon) had expected we’d stay a month. We stayed three! Camped – literally – in a paddock, I got to listen to the family’s many stories by night. Then each day, amidst the sights, sounds and smells of the country, I wrote like a crazy person. When we finally drove away (with the clanking of a big chain and padlock behind us—only joking, I think!) I had a completed draft of A Place to Remember—an epic tale of love lost and found—and for the next 18 months I reworked the storyline with those Henderson Park ‘guides’ sitting on my shoulder, prompting me, and helping me imagine I was still on the land that inspired the story. I will always be grateful to the Barrett family who welcome my visits every year.
We have a huge country crying out for sprawling stories set on equally sprawling cattle stations. Colleen McCullough (The Thorn Birds, three decades ago) was my introduction to Aussie authors writing in this romantic saga genre, and beautifully woven throughout her storytelling is the harshness of the setting that is Drogheda. I wanted to do the same, so I created Iron Pot Hill Farm Retreat, using Henderson Park’s ancestors as my muse.
This land of ours is so big and beautiful and different every day if we choose to look at the detail—the big, the small, the beautiful, the special, the crazy! I love it all. And so the journey continues. I’m happy to stay nomadic for a while yet, to keep writing stories, and ticking places off the bucket list.

And if you’d like to see the inspirational landscape and characters (including Ava’s cottage, John’s horse, Paddy, and Coco the dog) follow the link to my Author Inspiration Photo Album: https://www.jennjmcleod.com/hpk/

In 2017, the rights for A Place to Remember were bought by a UK Publisher, Head of Zeus, and by the same person who acquired The Thorn Birds thirty years earlier. She saw something special in the landscape and the story, too, and for that reason Henderson Park Farm Retreat (www.hendersonpark.com.au) will always be a place to remember for me.

Jenn J McLeod moved to the Coffs Coast in 2004 and operated a Sawtell cafe and a B&B before selling everything in 2014 to live a nomadic life in a caravan she calls Myrtle the Turtle. Jenn is best known for her Seasons Collection of stories – four life-affirming tales of friendship, family, and contemporary country life, including the bestselling House for all Seasons. Her fifth novel, A Place to Remember, can be ordered in print through bookshops, as an e-book, and in audio. (Just ask your library to add it to their catalogue.)

You can connect with Jenn online where she wastes good writing time posting travel pics and having fun on Facebook, Twitter, and Instagram @jennjmcleod_nomadicnovelist
www.jennjmcleod.com 

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!

 

Meet Leanne Lovegrove

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Firstly I’d like to wish a belated Happy Mother’s day to all the mums out there, including today’s featured writer Leanne (and to me 🙂 !)

Today on my rural author showcase I’m introducing Leanne Lovegrove – author, lawyer, wife, mother and lover of all things romance. Her job as a lawyer has caused her addiction to coffee and pinot noir, but it also provides her with endless story ideas. Leanne’s latest novel, Illegal Love was released on 10 May 2019. Her books are available in print through Amazon and as ebooks.

 

Thanks very much Jennifer for having me on your Blog.

There are so many elements that go into a fantastic story – one that readers will love and remember long after they’ve turned the last page. For me, these elements include romance, secrets, unforgettable and authentic characters that triumph over adversity and a compelling story. But there’s something else that is essential – setting.

Maleny

In my debut novel, Unexpected Delivery, it was the setting of my fictional country town loosely based on the Queensland hinterland town of Maleny that centred my story. I was drawn to that area for many reasons.

Being born and bred a city girl, I have spent a great deal of my time trying to get away from the urban environment and yearning for the vast, rolling green hills of the country. Living in Brisbane, I am drawn to the entire east coast of Queensland with the majestic Barrier Reef and coastal towns of the North, but closer to home, one of my favourite spots is the Sunshine Coast and its hinterland. It’s a diverse area where one moment you can be walking along the long stretches of sandy beach and the next, inhaling the fresh, clear air of the mountains.

Maleny was a perfect spot to set my story in Unexpected Delivery as a dairy farm was central to the plot. Plus it was a girl leaves the city type of story and Maleny, only 1.5 hours from Brisbane was perfect. But it’s always been a favourite spot of mine and if you ever get the chance, you must visit.

One of the pathways my character wanders around in New Farm

My newest release, Illegal Love out on 10 May 2019, is based in Brisbane but in the surrounds of a prestigious old girl’s school and the quaint alleyways and paths surrounding the iconic New Farm park area. I also send my couple to exotic and beautiful Hoi An in Vietnam. My current work in progress commences on isolated and remote but deeply atmospheric Bruny Island in the 1950’s and later, Hobart, Tasmania. Our Australian landscape can enrich and add so many layers to the story.

 

This is the view from the yard at the cattle farm

Unlike many writers, setting may not always come to me first. That’s usually the spark of an idea about the characters and how they will drive the story, but setting is almost certainly next. Another of my favourite spots is the Scenic Rim. My family often spends time on an operational cattle farm located at the base of the Lamington National Park ranges. There is no internet and only isolation and each other for company. It’s the perfect getaway.

 

The Noosa Headlands

Whilst I’m preparing to edit my next novel, a new story idea is brewing. I am picturing Noosa Heads and more particularly the Noosa National Park. There is a walk around the headland that takes your breath away with its secret coves, beaches and rocky cliffs. I might be biased, but it is among the most gorgeous Australian landscapes we have.

In order to clear my mind or work out messy plot holes, a walk on one of our beaches always does the trick. It’s one of my favourite places to walk and think. We are very lucky to have such diverse and amazing landscapes right here in Australia and for me, in Queensland.

Discover more about Australasian rural authors at our Australian & NZ Rural Fiction website!