A Discussion Of ‘Place’ In Australian Rural Fiction

Willy Fest

Authors Margareta Osborn (top L), (bottom row L-R) Kathryn Ledson, me and Kate Belle (and star reader Ann Lee middle top!)

I was on a panel at the Williamstown Literary Festival yesterday. The theme was a sense of place. Here are a few thoughts on how place relates to rural fiction.

– In many novels, and particularly in rural novels, place (literal, geographical place) is one of the most powerful tools that a writer has. For me, setting stories in wild places allows me to strip away the civilised façade from my characters. In Currawong Creek for example, my main character is a young professional woman caught up in the career rat race. She has time to examine what she fundamentally wants from life when she goes bush.  In my new release Billabong Bend, a young man who’s been a drifter, comes home to the riverlands to confront his past and discover his roots. And by doing so he finds his future.
– Australian rural romantic literature written by women is not new. Quite the contrary, it’s steeped in tradition. From Henry Handel Richardson’s Fortunes Of Richard Mahoney, Nancy Cato’s All The Rivers Run through to Colleen McCullough’s Thorn Birds, the drama, difficulties and romance of the Australian bush has long been the stuff of great narrative tales. From the earliest days of white settlement, the bush was central to how we became Australian, how we identified ourselves as Australian.
BB High Res cover– During the second half of the twentieth century, the bush fell out of literary favour. We didn’t see ourselves as a bush people any more. We lived around the urban coastal fringe, and were urbane, cosmopolitan and civilised. Many popular books for women (chick lit) featured self-absorbed shopaholic characters in the Sex And The City mould. They lived in cities that were indistinguishable from each other.

But in the past decade the bush has once more loomed large in the literary landscape, and rural lit taps into this vein. Readers are craving a relationship to country, a connection to the land. They’re asking the age-old question – what is that makes us Australian? And the simple answer is, that we come from this place. That’s our identity – the continent itself. And especially that aspect of Australia that is different to other places. That doesn’t mean our cities. That means regional Australia. That means the bush.

And here are a few thoughts about my new book Billabong Bend. At one level it’s a novel about first love. That original, blinding passion that is never forgotten. When you believe that anything is possible. When you first believe in something more than yourself. But it’s also the story of a river, of water use in a thirsty land, and the division and conflict that inevitably brings. And if you love birds like I do, particularly our magnificent wetland birds, then you’re in for a real treat! Billabong Bend is chock full of them!

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Bunya Mountains National Park

I’m on my way home from a research trip to the Bunya Mountains in southern Queensland, that state’s second oldest national park. My new novel, Firewater, is set in and around this marvellous place. The park boasts the largest stand of Bunya pines in the world, primeval trees whose fossils date back to the Mesozoic era. Bunya cones are large as footballs and can weigh ten kilograms. Few animals today are capable of spreading their gigantic seeds, making it hard for the trees to extend their range. Given the cones’ mammoth size, it is likely that extinct large animals were dispersers for the Bunya – perhaps dinosaurs and later, megafauna.

The park seems captured in a time warp. For thousands of years, indigenous people gathered here in summer to feast on Bunya nuts. For the traditional custodians of the park, these ancient pines are an age-old symbol of nourishment, of healing, and of coming together in harmony. I got goosebumps when wandering the rainforest trails. The pines’ domed heads reach forty metres to the sky, and massive, elephant-like buttresses hold fast to the earth. Each tree is a reminder of the mysterious past, and of how few truly wild places still exist.

The park abounds with wildlife, waterfalls and mountain-top grasslands known as ‘balds’. I had the great privilege of watching a Satin bowerbird decorate his twig entwined bower. Brush turkeys went about their jobs as rainforest gardeners. Red-necked pademelons (Thylogale thetis) were numerous and absurdly tame. I even spotted a mum with rare twin joeys. The park is a veritable garden of Eden … and Bunya nuts are great to cook with.

It has been a sensational trip. Coincidentally, I caught fellow rural author Nicole Alexander at the Dalby RSL on my way through. She was talking about her latest novel, Absolution Creek. I made great progress with my own writing. My new novel Firewater, is almost finished. Two chapters to go! I look forward to typing The End on the manuscript very soon. If I ever lack inspiration, I’ll just think back to my time in the Bunyas and the moment will surely pass.

Sunday with Margareta Osborn

Today I have my friend Margareta Osborn visiting. I’ll let you in on a secret. If it wasn’t for Margareta dragging me along to the RWA Conference last year, I wouldn’t have pitched Brumby’s Run to Penguin. That pitch led directly to a book deal, so I have a lot to thank her for. Margareta is a passionate rural story-teller, and her debut novel, Bella’s Run has become a best-seller. Now, over to Margareta …

Thanks Jen, for inviting me to be a guest on your blog.  For those that don’t know, Jennifer and I are members of the same writing group, the fabulously talented and totally awesome Little Lonsdale Group (the LLG’s). The group is aptly named for the street situated outside where we met at the Wheeler Centre, Melbourne (a six hour round trip for me) a couple of years ago. We were all in Andrea Goldsmith’s Advanced Year of the Novel class. What a wonderful time we had and the group continues to meet (and excel) with four published authors and the rest hard on their heels.

Tell us about your call story – or how you received your first offer of publication. (That’s what I always love hearing!)

Oh dear, I’m way off the track. What was I supposed to be talking about, Jen? My call story? Right. Well, it went like this. After being knocked back by one mainstream publisher with a ‘very positive’ rejection (yes, I kid you not, they can be positive) I managed to obtain a literary agent using that self same positive rejection (see, I told you). My agent then submitted the manuscript of my debut novel BELLA’S RUN to three major publishing houses. The day she rang me to tell me she had done this I was driving a truck laden with cattle down the hill from a dry paddock to the family homestead property. I was going over the cattle underpass when she rang to tell me BELLA’S RUN was sitting on the commissioning editors desks of three of the ‘Big Six’, which made me nearly put that poor rattly truck into the underpass.

Within days we had a two book publishing contract on the table. The day she rang to tell me that, it was my birthday and I was in the supermarket shopping. I screamed into the nearest grocery stack, which just happened to be the toilet rolls. Needless to say, the shopping consisted of all things celebratory (and a few mushed up toilet rolls)

What inspired you to write Bella’s Run?

Inspiration for people to do things beyond what they would normally do comes from a variety of different sources. For me, the inspiration to write – to weave stories about the bush – comes from my surroundings. From the environment in which I live – the mountains and farming in particular – because that is what I truly love and am passionate about. As a child I rode my horse through the hills surrounding our farm every weekend. And now we, as a family, spend a lot of time in the high country above our home. A very rugged and beautiful place where we track and watch brumbies, ride motorbikes and horses in the bush. Nearly four years and what seems like a lifetime ago, this landscape proved to be my inspiration for BELLA’S RUN.

What things in life are most important to you?

The themes of BELLA’S RUN are friendship, the search for love and the place you can call home. These are all portrayed within the evocative setting of the Australian bush giving you (I hope), a vivid sense of place with authentic characters that you the reader ‘know’. I tell you this because personally, these themes are very important to me.

My family – an amazing husband, three beautiful children plus my wonderful father, brother, sister and their families, aunts, uncles and cousins – along with my fantastic and supportive friends, are my world. I would not survive without them all. They give me the love, strength and energy to live, love and write.

The Osborn family has also been on the same property here for 150 years, giving me a very strong sense of place.  Our roots sink deeply into the soil. This grounds a person, gives the feeling of belonging and community.

Country life is me. I see it, I hear it, I work it and breathe it everyday. I have lived and worked on properties all my life. Throw me into suburbia and I am like a floundering fish. All I long for is my work-boots, the scent of cow-shit, sunshine on the breeze, musky soil and tangy eucalyptus. Ridiculous I know, but to take me from the land – from the bush – would starve my soul.

Thank you Margareta, for sharing your story with us. Margareta’s new novel, Hope’s Road will be released in March 2013.

A Tribute to Australian Rural Authors

With only a week or so to go before the release of Brumby’s Run, I’m dedicating this post to the other authors in the Australian rural lit genre. I’m new on the rural block, and with the exception of my friend Margareta Osborn (we’re in the same writing group known as the Little Lonsdale Group) I only knew the other authors by reading their books. My first, tentative tweets about Brumby’s Run were met by an avalanche of supportive responses from members of this rather unique literary club. I almost used the word exclusive instead of unique, but that would have been quite wrong. This warm-hearted bunch of talented writers made every possible effort to include me, right from the start.Thank you. It meant a lot guys!

There were immediate invitations to do guest blog spots, even though I couldn’t usefully return the favour, with my book’s release still months off. Rachael Johns offered me a Theory on Thursday spot and will do a post for me 29th July. Fellow Penguin author Mandy Magro immediately asked me to take part in her Awesome Aussie Authors series. Fleur Mcdonald wrote a beautifully timed post on editing when I needed it most. Cathryn Hein (another Penguin) wrote, and continues to write me, encouraging messages and offers phone chats, particularly when  the whole publishing process has seemed a bit overwhelming. I am visiting her Friday Feast this coming Friday. Cathryn will graciously guest post for me on 22nd July, in a series called What’s Important to Me.

I met Fiona Palmer (another Penguin) at the RWA Conference last year just before I pitched my manuscript, and she has had her fingers firmly crossed for me ever since. The great Nicole Alexander has asked me to write about my passion for the environment on her blog. Romantic suspense author Helene Young (yet another Penguin!) will visit here on the 12th August and has asked me to guest post about my trip to Ireland. The support and friendship offered to me has been amazing. I feel like I’m part of a family, a real rural community bursting with country hospitality. A big thank you to everybody for showing me how it’s done!