The Mallee Girl

Well, the day has finally come. The Mallee Girl was released today for Australian & New Zealand readers. The audiobook will be published simultaneously with the print and eBook. An international edition will be available in a few months’ time.


The Mallee Girl is the story of Pippa Black. She’s a young woman who’s grown up on an isolated wheat and sheep farm, with a domineering, fundamentalist father. She imagines that marriage to Cade might be an escape, but he turns out to be a violent and controlling man. She’s exchanged one life of confinement for another – a far more terrifying one. When she finally finds the courage to leave, she ends up at Brumby’s Run, a wild horse sanctuary in the Victorian High Country. And there, far from the dust and drought of the Mallee, she has a chance to heal. But Cade is a vengeful man, and as they say – you can run, but you can’t hide …

This novel has been ten years in the making. It’s set in the same world as my first ever published novel, Brumby’s Run. Although The Mallee Girl is not a sequel, it shares some of the same characters. I would call it a linked novel. 

It’s set in Victoria’s spectacular High Country. As a tribute to Elyne Mitchell (still one of my favourite authors) I’ve named the main horse character after Thowra, the Silver Brumby — one of the most iconic animal characters in Australian literature. It was lovely to revisit the Upper Murray region in my writing — a region very close to my heart. It was also lovely to indulge my love of horses, and in particular our beautiful alpine brumbies. 

Although there are some dark themes in The Mallee Girl, it is ultimately an uplifting story about finding courage and facing fears. I hope you enjoy reading it 🙂 In a few days time I should have signed copies available for purchase from this website. The official blurb is below.


Armed with nothing but some loose change and her beloved dog Duke, Mallee girl Pippa Black has finally found the courage she needs to escape a dangerous relationship. Two cryptic words written on a paper napkin send her in search of the one person who might help her – a long-lost brother she has always dreamed of finding.

Pippa’s quest leads her to the remote town of Currajong, high in the beautiful Victorian alps. As a runaway seeking refuge among strangers, Pippa learns that she’s been mistakenly implicated in a shocking crime. She finds her way to Brumby’s Run, a wild-horse sanctuary, where she begins work assisting the enigmatic farm manager Levi, and becomes entranced by Thowra, a magnificent golden stallion who leads a herd of brumbies in the region. Both man and horse will teach Pippa more about herself than she ever thought possible – including when to run, when to hide, and when to stand up and fight.

Set among the majesty of the High Country snowgums, The Mallee Girl is a moving and heartfelt story about the power of love and the land to heal old wounds, and the freedom that comes in confronting your greatest fears.

‘Transports you into the heart of the high country with this heartfelt story of love and courage. THE MALLEE GIRL cements Jennifer Scoullar as one of my favourite rural romance authors.’ – Rachael Johns

Meet, well … me!

I’ve been on a mission to showcase the marvellous home-grown Australian and New Zealand fiction available to readers worldwide. However today I’m taking time out to announce my own new release – THE MEMORY TREE, out now!

THE MEMORY TREE  is the third book in my Tasmanian Tales series. To celebrate its release, the eBook of the first in the series, FORTUNE’S SON, is FREE for a limited time! Due to copyright reasons, the free edition of Fortune’s Son is unavailable in the local marketplace. But don’t worry, Australian and New Zealand readers may still get it for FREE by clicking on this link – Fortune’s Son for free!  

When I publish titles with Penguin Random House, book launches are grand affairs, followed by celebratory dinners. I do love meeting readers, but as an introvert I find talking in public stressful. I’m happiest at home in the mountains. Pilyara Press understands this, so my launch of THE MEMORY TREE today is wholly online.


Here is a short Q&A with Jennie Jones, a terrific Aussie author who I hope to feature in the future. I have also included an excerpt from THE MEMORY TREE. Thanks for visiting and I hope you buy my book 🙂 !

  1. How long did it take you to write the book?

The Memory Tree took a year to write, but had been brewing for much longer than that. Although it’s  a standalone novel, it’s also the third book in my Tasmanian Tales series, and the story had been swirling around my mind since 2016. These books are inspired by my fascination with Tasmanian flora and fauna ‒ in particular the Tasmanian devil and its extinct cousin, the thylacine.

  1. What was the most difficult or complex aspect of writing your book?

Researching the fascinating but complicated science underpinning the fight to save Tasmanian devils from Devil Facial Tumour Disease (DFTD) This cruel cancer is threatening devils with extinction, and the race is on to find a cure.

 

 

  1. What gave you the most pleasure when writing your book?

I loved my research trips to the magnificent Tasmanian wilderness. I also enjoyed crafting the relationship between Matt and Penny, my two main characters. I quite liked torturing them 😊

 

  1. Are you nervous when a new release comes out?

Always! I never know whether people will like a new book. Waiting for the first reviews to roll in is nerve-racking, as is the thought of disappointing my readers.

  1. What’s the best thing a reader could do if they enjoyed your book?

If readers enjoy my book I’d love them to tell somebody. Word of mouth is the best way for other readers to find out about new books. Also, leave a review somewhere online. Amazon, Booktopia, Goodreads, Facebook, iTunes ‒ it really doesn’t matter where. Authors only have a few months to make a splash before the next shiny thing comes along, and reviews are so important. Ask your library to get it in, as well. If the subject matter of The Memory Tree moves you, please consider making a donation to the Devils In Danger Foundation. You can even adopt a Tasmanian devil there!

Excerpt from The Memory Tree

Chapter 2 

Penny watched the black Audi sweep into the car park. That had to be her. Its driver, slim, dark-haired and stylish, walked over and introduced herself with a broad American accent. ‘Dr Sarah Deville, UCLA.’ She smiled and shook Penny’s hand a little too hard. ‘I’ve never seen a live devil. Really looking forward to this.’

Penny began the seminar, standing beneath a banner strung above the whiteboard ‒ Slow Down Between Dusk and Dawn. It was more than a little overwhelming to have the renowned geneticist in the audience. If she pretended Dr Deville wasn’t there it might help. She cast her eye over the crowd. About thirty. A good number. Dr Deville sat at the back. Penny tried to concentrate.

‘Welcome to Binburra Wildlife Park, thirty thousand hectares of World Heritage wilderness high on the rim of Tuggerah Valley. The property originally belonged to a founding member of Tasmania’s environmental movement, Daniel Campbell. His family later bequeathed it to the state, to be gazetted as a national park.’ Penny wet her lips. ‘Binburra pioneered the captive management and breeding of Tasmanian devils. They’re a lonely species ‒ their close relatives already gone ‒ and for the past two decades we’ve been fighting to save the devils themselves from extinction, because a bizarre and mysterious disease is set to wipe them out.’

Penny winced. How stupid she sounded, going through her little spiel when the world expert on the devil genome sat right there in front of her. She tried not to look at Dr Deville and ended up staring slightly to the side, as if there was some sort of fascinating patch on the wall. Two women in the front row were looking sideways now too. For goodness sake, get a grip.

‘A virulent contagious cancer known as Devil Facial Tumour Disease ‒ DFTD for short ‒ causes suppurating tumours in the animals. Those affected die agonising deaths within months, starving as disfiguring growths eat away their jaws and choke their throats.’ Penny cleared her own throat. ‘Binburra provides healthy animals to mainland and overseas zoos. These Project Ark founders are breeding safe from the threat of disease, but our wild devils could soon face extinction.’ She was talking too fast, rushing it. She took a deep, steadying breath. ‘And if we let that happen, nobody will understand, and nobody will forgive us.’

Penny reached into the box at her feet. She pulled out a squat black creature the size of a small bulldog, with round furry ears – cute like a teddy bear. It sniffed the air. She set the animal on the desk in front of her and it shuffled around to face the audience. With a collective gasp, people shrank back. The devil looked as if a hunk of raw, rotting meat had been slapped along the entire side of its head. Its jaw was disfigured by ulcerating growths that forced its lips apart and protruded through its mouth. A fleshy, bleeding tumour mushroomed from one eye.

‘Meet Angel,’ said Penny. ‘A motorist killed her mother three years ago and thankfully stopped to check for pouch young. She found two dead babies and Angel here, barely clinging to life. I nursed her round the clock, took her with me everywhere.’ Penny paused to fondle Angel’s misshapen head. ‘Angel stayed with me  at the sanctuary until she was eighteen months old. I never met a sweeter, cleverer little devil. In winter she dragged logs to the fireplace, hinting for us to light it. She loved curling up by that fire. And she mothered the younger orphans, carrying them in her mouth if she thought they were in danger, putting them back in their baskets. She really is special. Last year I released her into what we hoped was a safe area of the park. We trapped her in the course of our regular monitoring program two weeks ago … like this.’

A question came from the crowd. ‘How did you know it was her?’

‘All our animals are microchipped. But I’d know her anywhere, and she recognised me too, knew I was trying to help.’ Penny kissed Angel’s forehead and stretched out her hind legs, exposing an emaciated abdomen. More gasps from the audience. Three joeys clung to Angel’s belly. ‘Afflicted she-devils are extraordinarily devoted, never abandoning their young. Instead a mother steadfastly feeds and protects her joeys until the very last moments of her life. We’re just waiting for Angel’s babies to be a few weeks older, closer to weaning. Then we’ll euthanise her.’ Penny tucked Angel’s legs back in as comfortably as she could. ‘You won’t suffer anymore then, sweetheart.’ The devil laid her poor, mutilated head in the crook of Penny’s arm.

After the seminar, Penny sold a few souvenirs as people left. Sarah Deville stood by, watching a volunteer carry Angel out in a crate. ‘Can you show me a healthy one?’

‘Of course. Just let me lock up.’

****

Penny entered the shady enclosure where Bonny and her babies snored in a hollow log. She beckoned for Sarah to follow.

Sarah hesitated. ‘Won’t they bite?’

‘Our devils are used to handling,’ said Penny. ‘And Bonny here, in particular, is a complete pushover.’ As promised, sleepy Bonny let Penny pull her from the log to show off her four babies.

‘Is it true they eat anything?’ asked Sarah.

‘Pretty much,’ said Penny. ‘We’ve found all sorts of things in their scat. Boot leather, bottle tops, cigarette butts. Even echidna quills. Their stomach acids have a bone-dissolving enzyme.’ Sarah squealed as one little devil ran up Penny’s arm and sat on her shoulder. Penny tickled the baby’s tummy. ‘These joeys really should be independent by now, but little Zoe here is a persistent late suckler, so they’ll stay with mum a bit longer.’ Penny placed Zoe in Sarah’s arms. ‘Some people call baby devils imps,’ she said. ‘For very good reason.’

Happy New Year!

A Happy New Year to all my friends and readers! It’s a beautiful sunny New Year’s Day here in the southern Victorian ranges – one of the loveliest places on earth. I’m looking forward to a wonderful year full of riding, writing and reading.

I’m also looking forward to publishing three more novels. Two will be international publications of books already released in Australia: Journey’s End and Wasp Season. I’m busy revising them at the moment to make them the best they can be. It’s a great privilege to be able to revisit a previously published work. Thank you Pilyara Press!

 

THE MEMORY TREE

The third book I’ll publish in 2019, The Memory Tree, will be a brand new release in Australia as well as in the rest of the world. It’s the third in the Tasmanian Tales trilogy, and will be out in the second half of this year.
Like the novels preceding it, The Memory Tree pays homage to my love of Tasmania’s unique flora and fauna, and particularly the Tassie Devil. Here’s a brief synopsis …

THE MEMORY TREE – coming soon

‘Playing God is a dangerous game …
When forest protests engulf a tiny Tasmanian timber town, one family’s century of secrets threatens to destroy a marriage – and bring down a government.

Matt Abbott, head ranger at beautiful Binburra National Park, is a man with something to hide. He confides his secret to nobody, not even his wife Penny. The deception gnaws away at their marriage.
Matt’s father, timber and mining magnate Fraser Abbott, stands for everything Matt hates. Son disappoints father, father disappoints son – this is their well-worn template. But Fraser seems suddenly determined to repair the rift between them at any cost, and Matt will discover that secrets run in the family. When Sarah, a visiting Californian geneticist, tries to steal Matt’s heart, the scene is set for a deadly betrayal.

The Memory Tree is a haunting story of family relationships, the unbreakable ties we all have to the past and the redemptive power of love.


Now to announce the December winners of this month’s prize draw!
They are 57glorygirl@gmail.com and c.carr@sheldoncollege.com.
Congratulations. I shall email you soon to ask which two of my eBooks you would like. Australian readers may choose one print book instead.
(I have contacted the winners of the Christmas Turtle Reef giveaway privately.)

HAPPY READING in 2019!

 

Huge Australian Rural Fiction Book Giveaway – and winners of this month’s draw

 

Hello and welcome to the huge Australian Rural Fiction Christmas Book Giveaway! We at Australian Rural Fiction  are proudly seventy wonderful Aussie authors bringing our big Australian country stories to you across many genres.

Why has this come about?

We wanted to see more of ‘us’ out there. We wanted to have more of us easily accessed in the one place, to discover our country’s big stories – and we have many bestselling and award winning authors bringing those stories to you via our website.​
We’ve given readers one place to find out the news every day, and you can also join our Facebook group.

ENTER OUR HUGE CHRISTMAS GIVEAWAY!

We have the most fantabulous, awesome and generous Christmas contest that will sort out the summer…and probably winter…reading for six lucky winners.
Four Australian winners and two international winners.

There are FOUR prizes of fourteen signed print books for the Australian readers, and TWO prizes of eight e-books each to two international readers.

Complete the first entry options and the others will magically appear! The more options you take up, the more entries you get! And the best part… invite a new friend to the Facebook group every day for an additional FIVE entries per day! Enter HERE!

And now for the winners of my monthly prize draw.
Congratulations to glynismc@icloud.com and toni.long@outlook.co.nz. I’ll be emailing you shortly to ask what books you’d like. Happy Reading!

 

Billabong Bend Q&A

BB High Res coverTwo days to go until the release of my new novel Billabong Bend – an exciting time. It’s also the one time of year that I give my blog over to shameless self-promotion! Here is a Q&A I did with Penguin Books (Aust)

What is your new book about?
Billabong Bend is set in Northern NSW in the heart of our beautiful riverlands. It’s a star-crossed love story which sets Nina, a floodplains grazier, and Ric, a traditional cotton farmer, on a heart-rending collision course.

Nina’s dream is to buy Billabong Bend, the rare marshland flanking the beautiful Bunyip River and protect it forever. But she’s not the only one with designs on the land. When her childhood sweetheart Ric Bonelli returns home, old feelings are rekindled, and Nina hopes they might have a future together on the river. But a tragic death divides loyalties, tears apart their fledgling romance and turns her dream into a nightmare. Will Nina win the battle for Billabong Bend? Or will the man she once loved destroy the wild wetlands she holds so close to her heart?

What or who inspired it?
This novel was inspired by my love for the northern riverlands, and for the Murray Darling basin. I’ve always been fascinated by rivers – by their unique habitats, and by their place in literature. Rivers are revered by some of my favourite writers. Mark Twain had a lifelong love affair with the Mississippi. The great poet TS Eliot wrote in The Four Quartets
‘I do not know much about Gods: but I think the River

Is a strong brown God – sullen, untamed and intractable,’
Nancy Cato in her classic trilogy All The Rivers Run compared the Murray to a ‘ … dark stream of time which bears all living things from birth to death.’ Rivers are mysterious, dangerous, life-giving and achingly beautiful. They are also in trouble and need our protection.

Are there any parts of it that have special personal significance to you?
The idea for the book arose many years ago, during long, languid days spent in the riverlands. Last year I took several trips back up the Murray and saw for myself the changes wrought to habitats and wildlife by drought and low flows. I wanted to write about it.

What do you see as the major themes in your book?
T
he major themes in Billabong Bend are the power of first love, forgiveness and freedom. There is also a strong environmental theme, namely the importance of conserving habitats.

Who do you think will enjoy your book?
Anybody who can remember the fierceness of first love. Anybody who has marvelled at the grace of a waterbird in flight, or has enjoyed a lazy day on a river.

Do you have a special ‘spot’ for writing at home? (If so, describe it)
I have a small office space off the lounge room and I’m adept at revising through the noise of a busy family. There is no window directly in front of my desk, but instead, a full length picture window to the side. I often gaze out across the mountains for inspiration. My favourite writing spot is over at the stables. Horses are good listeners, and don’t mind you reading aloud. In winter I sometimes write in bed!

Tell us a bit about your childhood?
I was a horse-mad child. I also enjoyed a deep passion for the plants, animals and birds of the bush.. My family had a house in Melbourne as well as a property in the mountains. At every chance I escaped the city to be with my horses. When I married I moved to the farm permanently and am still there.

Do you feel more of a sense of “community” amongst like-minded people as yourself since the advent of blogging?
Absolutely! Blogging and social media provide a real sense of camaraderie for writers, and for regional writers in particular. I might be typing away on my remote mountaintop in the southern Victorian ranges, but I’m connected on-line to writers and readers from all around the world. I love it!

What do you like to read? And what are you currently reading?
I have pretty eclectic tastes. I read books within the Australian rural lit genre of course: authors like Cathryn Hein, Nicole Alexander, Fleur Mcdonald and Margareta Osborn. But I love all kinds of fiction. Debut breakout Aussie novels Burial Rites and The Rosie Project were both fantastic reads. So was the charming Mr Wigg by Inga Simpson. I also enjoy natural history writing, and always keep at least one novel and one non-fiction book on the go. Currently I’m reading  The Reef by Professor Iain McCalman (non-fiction) and The Blue Dolphin by Robert Barnes (fiction)

What is your advice to budding authors?
Learn as much about your craft as possible and write every day. Network with other writers. State writer’s centres and Varuna – The Writer’s House are great places to start. When you have a finished manuscript get some expert feedback and revise, revise, revise. Then it’s time to learn as much about the publishing industry as possible. There are some great opportunities to get your work before publishers without an agent in Australia. I’m proof of that, having won a Penguin contract through a conference pitch. Give it a go, grow a thick skin and remember that persistence pays.

BB14

 

 

 

 

 

The Birth of a Book

I’m a few thousand words into my new novel, bearing the working title of Kingfisher. For a novelist, the process of beginning a brand new story is many-faceted. Firstly, you have to leave the world of your last one behind. This isn’t as simple as it might sound. Particular characters and their problems become very real for authors, and forgetting about them can seem like emotional abandonment. But as with most relationship breakups, time tends to heal wounds. That’s why it’s important to have a hiatus between finishing your last book, and beginning the next one.

I gave myself a month-long break. During that time, the imaginary landscape of my last novel retreated into the distance, allowing a new one to emerge. I mulled a lot – in the garden, in the car, in the bath. I read poetry. I breathed life into shadowy characters, and tried different personalities on them for size, like a child with paper dolls and dresses. I played the ‘What if?’ game. Closing my eyes, I grew to know the Red Gum flanked river, so central to my narrative.

And gradually the story took form. Obstacles stand between novelists and their new narratives. Home made obstacles. What if I can’t find my voice? What if my protagonist is boring? What if the conflict just isn’t as interesting as I think it is? So, part of preparing is giving yourself pep-talks. Trust your imagination. Trust your characters. Doubts will stem the flow of ideas. Believe in yourself as a writer. Your story deserves it.

Here’s an excerpt from The Four Quartets by TS Eliot, the poem that helped inspire Kingfisher.

‘I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.’

Orchids at Pilyara

Eastern Bronze Caledenia

One of the joys of living surrounded by bushland is the never ending variety of life that passes by, season by season. In spring, the wildflowers and birds provide spectacular flashes of colour. Here at Pilyara the soil lacks some of the richness found elsewhere, and this is the situation favoured by many ground orchids, or rather they have adapted well to such soils.  Under the canopy of Messmate, small colonies of orchids can be found.  Several species have begun to flower, and more will follow in the weeks to come.

Tall Sun Orchid

Many Australian orchids depend on mimicry to attract pollinators, using pheromones similar to those given off by female wasps. These orchids generally have unspectacular flowers, although in an attempt to appear wasplike their forms can be remarkable.Those that attempt to attract pollinators using colour and perfume are more spectacular.  The most showy varieties at Pilyara are the sun-orchids, so called because their flowers only open on warm sunny days.

Large Bird Orchid

The profusion of orchids found at Pilyara is not rare, or even uncommon. I’m still waiting to find something really unusual hiding away.  But as more and more bushland disappears, the rare vanishes, the uncommon becomes rare, and the ordinary takes its place as vulnerable. What a responsibility we have as stewards of this earth!

(Photos courtesy of my brother, Rod Scoullar)

A Novel Idea

My recently finished manuscript is finally with my agent and publisher. Here is a brief blurb.

When Brisbane lawyer, Clare Mitchell, becomes the unlikely carer of Jack, a little autistic boy, her life is turned upside down. In desperation she turns her back on her job, and takes Jack to Bundara, her grandfather’s Clydesdale stud at Merriang, in the foothills of the beautiful Bunya Mountains. She arrives to find part of the property leased by local vet, Tom Lord, an advocate of equine therapy for traumatised children.  Jack falls in love with Bundara’s animals, and Clare falls in love with Tom and the life of a country vet. But trouble is coming, trouble that threatens to not only destroy Clare’s new-found happiness, but the tiny town of Merriang itself.

My new novel is due out with Penguin in July next year, and I’m pleased to report that it has been well received by Belinda Byrne, my publisher. So while I wait for the inevitable grind of edits to begin, it’s time to plan my next novel. Some people seem to have multiple narratives swirling around in their minds at any given time. Unfortunately, I’m not one of them. It can take a long time for me to plot a new story. There are many ways to come up with fresh ideas.

The High-Concept Approach. This is a movie term, that works something like this. Pick a tried and true scenario and tweak it a little, or a lot, and/or combine two together. My friend and publishing buddy, Kathryn Ledson, used this concept to successfully write, and then sell her Erica Jewell series to Penguin (The first book, Rough Diamond, will be out with Penguin in January) It’s a cross between Bridget Jones and Indiana Jones.

Read  Read everything you can, in and out of your chosen genre, fiction and non-fiction. Allow another imagination to cross-fertilise your own. There’s much truth in the old adage, show me a writer that’s not reading, and I’ll show you a writer that’s not writing.

Look Around You  Keep a keen eye on what topics are in the news.  What are your friends talking about? What concerns keep you awake at night? Eavesdropping is also a useful skill for writers. Listen in when other people talk. Mobile phone conversations on trains are good for this. Don’t let them annoy you – let them inspire you.

Hang out in bookstores. This is critical. Pay close attention to those New Releases. Get to know what’s new and hot in your area. Find out what’s selling, and to which publishers. Remember that you need an idea that other people (not just you!) can get excited about.

As I said last week, I have a vague idea for the new novel. My task for October is to develop a rough plan, with themes and characters that will sustain me over the next twelve months of writing.

First Draft – what now?

I’m very pleased to announce that I’ve finished the first draft of my new novel.

Typing The End on a first draft is a truly marvellous moment. For me, it comes after much hair-tearing, wine, chocolate and the occasional sublime moment of inspiration. It is a time to celebrate and catch your breath. It’s a time to put the manuscript aside for a bit to get some distance. For the real work is about to begin. You have your painstakingly manufactured canvas. Now it’s time to paint.

It is often said that there is no great writing, only great rewriting. (Justice Brandeis) The legendary Peter Bishop, former creative director of Varuna, Australia’s national writer’s centre, once put it to me like this. The first draft is the writer’s draft. It’s essentially the writer telling himself the story. You need to revise it within an inch of  its life – cutting, adding, polishing and shaping, until you have a reader’s draft. Only then should you contemplate launching it into the world.

Let it be said though, adding layers of richness to this first draft is a gazillion times easier than bashing it out in the first place. This is the time to interrogate your narrative. Does it have emotional depth?  Do your protagonist and antagonist develop in a believable way? What about sensory description? Can your readers hear, smell, taste and feel what your characters do? Go through any notes you may have, for details that will enhance the credibility of your narrative.

There was a time before I was published that this was an open-ended process. I literally redrafted and redrafted until it was done. Deadlines have put paid to this luxury. I hone the story until the clock runs out, and then look forward to having another run through once editing comes around. Nevertheless, for me this is still the most enjoyable and satisfying part of the writing process. What do others think?

Bunya Mountains National Park

I’m on my way home from a research trip to the Bunya Mountains in southern Queensland, that state’s second oldest national park. My new novel, Firewater, is set in and around this marvellous place. The park boasts the largest stand of Bunya pines in the world, primeval trees whose fossils date back to the Mesozoic era. Bunya cones are large as footballs and can weigh ten kilograms. Few animals today are capable of spreading their gigantic seeds, making it hard for the trees to extend their range. Given the cones’ mammoth size, it is likely that extinct large animals were dispersers for the Bunya – perhaps dinosaurs and later, megafauna.

The park seems captured in a time warp. For thousands of years, indigenous people gathered here in summer to feast on Bunya nuts. For the traditional custodians of the park, these ancient pines are an age-old symbol of nourishment, of healing, and of coming together in harmony. I got goosebumps when wandering the rainforest trails. The pines’ domed heads reach forty metres to the sky, and massive, elephant-like buttresses hold fast to the earth. Each tree is a reminder of the mysterious past, and of how few truly wild places still exist.

The park abounds with wildlife, waterfalls and mountain-top grasslands known as ‘balds’. I had the great privilege of watching a Satin bowerbird decorate his twig entwined bower. Brush turkeys went about their jobs as rainforest gardeners. Red-necked pademelons (Thylogale thetis) were numerous and absurdly tame. I even spotted a mum with rare twin joeys. The park is a veritable garden of Eden … and Bunya nuts are great to cook with.

It has been a sensational trip. Coincidentally, I caught fellow rural author Nicole Alexander at the Dalby RSL on my way through. She was talking about her latest novel, Absolution Creek. I made great progress with my own writing. My new novel Firewater, is almost finished. Two chapters to go! I look forward to typing The End on the manuscript very soon. If I ever lack inspiration, I’ll just think back to my time in the Bunyas and the moment will surely pass.