A Discussion Of ‘Place’ In Australian Rural Fiction

Willy Fest

Authors Margareta Osborn (top L), (bottom row L-R) Kathryn Ledson, me and Kate Belle (and star reader Ann Lee middle top!)

I was on a panel at the Williamstown Literary Festival yesterday. The theme was a sense of place. Here are a few thoughts on how place relates to rural fiction.

– In many novels, and particularly in rural novels, place (literal, geographical place) is one of the most powerful tools that a writer has. For me, setting stories in wild places allows me to strip away the civilised façade from my characters. In Currawong Creek for example, my main character is a young professional woman caught up in the career rat race. She has time to examine what she fundamentally wants from life when she goes bush.  In my new release Billabong Bend, a young man who’s been a drifter, comes home to the riverlands to confront his past and discover his roots. And by doing so he finds his future.
– Australian rural romantic literature written by women is not new. Quite the contrary, it’s steeped in tradition. From Henry Handel Richardson’s Fortunes Of Richard Mahoney, Nancy Cato’s All The Rivers Run through to Colleen McCullough’s Thorn Birds, the drama, difficulties and romance of the Australian bush has long been the stuff of great narrative tales. From the earliest days of white settlement, the bush was central to how we became Australian, how we identified ourselves as Australian.
BB High Res cover– During the second half of the twentieth century, the bush fell out of literary favour. We didn’t see ourselves as a bush people any more. We lived around the urban coastal fringe, and were urbane, cosmopolitan and civilised. Many popular books for women (chick lit) featured self-absorbed shopaholic characters in the Sex And The City mould. They lived in cities that were indistinguishable from each other.

But in the past decade the bush has once more loomed large in the literary landscape, and rural lit taps into this vein. Readers are craving a relationship to country, a connection to the land. They’re asking the age-old question – what is that makes us Australian? And the simple answer is, that we come from this place. That’s our identity – the continent itself. And especially that aspect of Australia that is different to other places. That doesn’t mean our cities. That means regional Australia. That means the bush.

And here are a few thoughts about my new book Billabong Bend. At one level it’s a novel about first love. That original, blinding passion that is never forgotten. When you believe that anything is possible. When you first believe in something more than yourself. But it’s also the story of a river, of water use in a thirsty land, and the division and conflict that inevitably brings. And if you love birds like I do, particularly our magnificent wetland birds, then you’re in for a real treat! Billabong Bend is chock full of them!

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Currawong Creek – First Sighting

18th birthdayIt was my youngest son’s eighteenth birthday yesterday – a cause for much celebration! I also received an advance copy of Currawong Creek. It’s always a thrill to see your imaginary story in the form of a physical book for the first time. So all in all, a great week.

Today I’m posting a Penguin Q&A about Currawong Creek.

What is your new book about? Currawong Creek is the story of Clare Mitchell, a young Brisbane lawyer who is very caught up in her career. CC 1 003When she takes on the care of problem foster child Jack, her ordered life is turned upside down. Her partner’s betrayal is the final straw. She takes leave of her job and takes Jack to Currawong Creek, her grandfather’s Clydesdale stud at Merriang in the foothills of the beautiful Bunya Mountains. She arrives to find part of the property leased by local vet, Tom Lord, an advocate of equine therapy for traumatised children. Jack falls in love with Currawong’s animals, and Clare falls in love with Tom and the life of a country vet. But trouble is coming, in the form of the Pyramid Mining Company. Trouble that threatens to not only destroy Clare’s new-found happiness, but the tiny town of Merriang itself.

What or who inspired it? – I love Clydesdale horses! Also, I fostered kids for fifteen years, and saw many young mothers who needed help almost as much as their children did. There’s such a desperate shortage of foster carers in our community. Often, no suitable place can be found for a child after being Clydesdalestaken into care. So I thought I’d explore that problem in my story. There is so much evidence to show that animals can help to heal traumatised children. I had to give little Jack that chance!  The setting was inspired by Queensland’s Darling Downs, and its beautiful Bunya Mountains. A growing national concern about our land and water has led to a realisation that agricultural land and underground water are finite resources that should be protected. This is another issue explored in Currawong Creek. The characters though, are entirely fictional. I loved the idea of throwing a young, single, professional woman in the deep end with a difficult child – and a German Shepherd puppy! How would it change her? What problems would it cause? How would she cope?

What was the biggest challenge, writing it? – My biggest challenge was writing the relationship between Clare and Jack’s birth mother, Taylor. These are two women from very different worlds, yet they share a strong common bond. They both love Jack. Emotions naturally run high in that sort of a situation, and I wanted to show each of their positions with sympathy. It needed a delicate balance, and a lot of rewriting.

What did you want to achieve with your book? – I mainly wrote Currawong Creek to be an entertaining story. Along the way, it may raise awareness about the challenges and importance of fostering. It may encourage somebody to explore equine therapy as a healing tool for a child. That would be good. I also hope it may help spark debate about land and water conservation in Australia.

What do you hope for your book? – I hope my book will be widely read and enjoyed.

CurrawongAre there any parts of it that have special personal significance to you? – Samson, the German Shepherd puppy, has particular personal resonance for me. I raised and trained German Shepherds for many years, and he is a composite of my most intelligent and charming dogs. My father also passed on to me a particular love of Clydesdale horses, and I’ve always had a soft spot for currawongs!

Do you have a favourite character or one you really enjoyed writing? – Harry, Clare’s grandfather, was without doubt my favourite character. Such a sweet, old man with a great deal of courage and very fine principles. I’d love to know him in real life

What do you see as the major themes in your book? – I suppose one of the main themes is finding the courage to stand up for what you believe in. Also forgiveness and an exploration of the different kinds of love – love for a child, a lover and a grandfather.

What made you set it in …..? – The Bunya Mountains? They’re a magical place, Bunya Mountains 1like an island, surrounded by the plains and cleared farming land of the Darling Downs. A refuge of biodiversity, harbouring ancient plants and more than thirty rare and threatened species. Iconic Bunya pines (Araucaria bidwillii) tower over tall, moist rainforests along the crest of the range. Their distinctive dome-shaped crowns rise above the canopy, as they’ve done for millions of years. It’s a truly mysterious and romantic setting.

To whom have you dedicated the book and why? – Currawong Creek is dedicated to the Wilderness Society, as a tribute to the wonderful work they do, protecting and restoring wild places across Australia.

Who do you think will enjoy your book? – Anybody who loves kids, animals, the bush and a ripping love story.BB2013_Nominee