A New Year With Pamela Cook

Posted on January 2, 2014 by jenniferscoullar

Please welcome successful author Pamela Cook back to Pilyara. What an auspicious way to begin the new year! In addition to being a novelist, Pamela teaches writing. She’s also a horse lover, which means we have a lot in common. (The name of her blog is Flying Pony) Pamela’s latest release, Essie’s Way, is a touching story about finding yourself and learning from past mistakes. Today she talks to us about the importance of setting and place in her books.

‘Thanks so much for having me on your blog, Jennifer. Setting and a sense of place are very important in my writing. When I began my first novel, Blackwattle Lake, I started with an image of a place, and a character in that place: a woman standing at the gate of a horse property. I had no story, no outline and no idea what was going to happen but the strength of that image and that setting pulled me through. The setting for that novel is a mixture of two places: the riding ranch where we agist our horses, at Darkes Forest just south of Sydney … and the area around Milton, about two hours further south. We have a holiday house there at Little Forest and it’s my favourite place in the world. Somehow I manage to while away hours and hours there doing very little.

I’ve been holidaying on the NSW south coast all my life and it’s wonderful to now be able to share it with my daughters. And with my readers. The south coast is more untamed and a little wilder than the north – there are so many places where you can escape and feel completely isolated. Although the water is colder, it’s clear and clean and the beaches are blissfully empty (apart from school holidays of course) which is a huge contrast to the crowds on Sydney beaches in summer.

Essie’s Way also began with an image, but this time of an older woman who was playing the violin on the verandah of a shack near the ocean. Although I didn’t have a specific place in mind the stretch of beach I imagined was deserted and surrounded by bush. As the story progressed and the fragments came together, the place in my mind became one with a beach bookended by headlands, a very small town that only comes to life in the tourist season and farmlands close to the ocean. Thanks to trusty Google earth, I found a place that roughly fitted the description, packed my dog Bridie in the car and (just like Miranda, the main character in the book) headed south. While I was familiar with the south coast I hadn’t been to this particular place before but when I arrived at Potato Point I wasn’t disappointed. The “town” if it could be called one, and the beach fitted the image in my head perfectly.

To anyone else the resemblance might not be the same but walking on the windswept beach, wandering across the rock platforms I could just picture Esther standing there, fishing rod in hand, gazing out at the stormy blue ocean. There was no shack on the cliff and there were no horses grazing in paddocks nearby but it didn’t take much to imagine. The sense of alone-ness and freedom I felt standing on the beach were the same feelings I wanted Miranda to have when she visits the beach in search of the grandmother she’d always thought to be dead. Miranda is a city girl, a lawyer with a busy job and lifestyle and not much time to connect with herself. It’s here in Pelican Point (the fictional place in Essie’s Way, that she’s able to find some sense of peace and start to really think about the direction she’s taking in life.

There are a few city locations in Essie’s Way too – Miranda lives in Erskineville and hangs out in Newtown and the book opens with her trying on a wedding gown at a store in the QVB.

But it’s the rural locations that really inspire me. I love writing about the way place impacts on character and I hope to do more of that in my next book. At the moment I’m not sure exactly where it will be set but there’s a pretty good chance it’ll be somewhere down south and there’s an even better chance I’ll be taking off on a road trip to do a little research!’

Essie’s Way – A captivating story of family, love and following your heart, from the author of Blackwattle Lake.

Miranda McIntyre thinks she has it all sorted. A successful lawyer, she s planning her wedding and ticking off all the right boxes. When searching for something old to go with her wedding dress she remembers an antique necklace from her childhood, but her mother denies any knowledge of it. Miranda is sure it exists. Trying to find the necklace, she discovers evidence that perhaps the grandmother she thought was dead is still alive.

Ignoring the creeping uncertainty about her impending marriage, and the worry that she is not living the life she really wants, Miranda takes off on a road trip in search of answers to the family mystery but also in search of herself. Ultimately, she will find that looking back can lead you home.

Connect with Pamela:
Webpage: www.pamelacook.com.au
Facebook: http://www.facebook.com/PamelaCookAuthor
Twitter: @PamelaCookAU

Going Public With Your Writing Habit, by Phillipa Fioretti

Posted on December 13, 2013 by jenniferscoullar

I’m time poor right now, hurrying to meet an editing deadline for next year’s release, Billabong Bend. So instead of my usual post, here is a marvellous piece on writing by Australian author Phillipa Fioretti. In 2008 Phillipa was selected for participation in the Hachette Australia/Queensland Writers Centre Manuscript Development Program. Her first book, The Book of Love, Hachette Australia, 2010, has also been published in Germany, Romania, Norway, Poland, Serbia and Montenegro and the sequel, The Fragment of Dreams was published in May 2011. Her third book, For One Night Only, will be published by Pan MacMillan’s digital press, Momentum, in January 2014

It’s Time To Start A New Book When …

Posted on November 15, 2013 by jenniferscoullar

I’m between books. The second round of Billabong Bend edits aren’t back yet, and I’m on a self-imposed writing break. It’s necessary for writers to take a holiday sometimes. To read, to play, to fill up the creative well – and to do all those chores that get neglected when a manuscript is in full swing. I’m not a naturally tidy person, not by a long shot, but right now the house and garden are neat. The feed and tack rooms are spick and span. I’m doing that nesting thing pregnant women do before giving birth – getting the environment in order so I can devote myself to my new baby/story. So I’ve made a list – It’s time to start writing a new story when:

1. You go to water the pots and wind up weeding, repotting and fertilising every one.

2. You go to the wardrobe to get a shirt and wind up organising all your clothes by colour.

3. Your usually messy office is spotless.

4. You start raking up sticks around the house and end up with a massive bonfire pile.

5. You have defragged your computer, scanned for errors, and backed up files.

6. Shoes that are usually piled higgledy-piggledy in a box are placed neatly on shelves.

7. You have oiled the saddles and bridles.

8. You have discovered the random article button on WikiHow

9. You look for a coloured pencil and wind up sorting and sharpening them all.

10. You start checking out different social media networks like Pinterest, Vimeo, Tumbler, StumbleUpon, FourSquare, Reddit, Wattpad, Flickr, DeviantArt, Delicious, and BookLikes. You begin to create any accounts you don’t yet have.

11. The dogs are bathed and groomed.

12. The new story is calling out to be written.

Okay, I’ve ticked them all off my list. New book, here I come …

Sunday With Catherine Lee

Posted on August 4, 2013 by jenniferscoullar

Please welcome a terrific new indie crime writer to Pilyara – Catherine Lee. I first met Catherine in 2008 at a Varuna Residency with the legendary Peter Bishop. The question posed in her then fledgling manuscript has intrigued me ever since – does the heart have a memory? Her terrifying novel has since won a Varuna crime-writing award, and I’m thrilled to announce that Dark Heart is now available on Kindle and POD from Amazon. So without further ado, it’s over to Catherine!

Welcome Catherine. Can you tell us a little about your new release, Dark Heart?

Dark Heart is the story of Eva, a young woman who gets a second chance at life when she receives a heart transplant. After the transplant Eva begins to have nightmares, and she soon discovers that the previous owner of her new heart was a serial killer. The killer’s final victim is still missing, and Eva realises that it could be the missing woman now haunting her dreams. She teams up with the victim’s husband and a fellow transplant patient, who has also experienced the phenomenon of cellular memory, in order to listen to her heart and help find the missing woman. Meanwhile Detective Charlie Cooper and his new partner Joey Quinn have two mysteries to solve – can they reach the final victim in time, and who murdered the serial killer?

What do you love most about writing thrillers, and do you think it’s important for books in this genre to have an element of romance in the story?

I love the twists and turns that thrillers take, I love coming up with outlandish ideas and figuring out how to make them work. I’m not sure that all books need to contain an element of romance, but quite often it’s a good fit for the story. Once you get to know your characters they tend to tell you what they need, and Eva just happened to need a hint of love in her new life.

Are you a plotter or a pantser? Do you write detailed character profiles, or do you find the characters come to life as you write?

Plotter, definitely. I had an elaborate spreadsheet for Dark Heart, which I developed after discovering that the first 30,000 words I’d written were going nowhere. I needed a plan, so I ditched the draft and spent the next three months plotting every chapter on my spreadsheet. It worked, and I’ve been refining my process ever since. I’ve moved onto Scrivener for my second novel, Dark Past. I love Scrivener, it’s a brilliant tool for writers. As for characters, I find character profiles quite boring to write. I prefer to let them speak for themselves, although I did find one exercise suggested by a friend quite valuable to use when a character is too wooden or boring. Rather than answering profile type questions, sit down and come up with twenty random things about them. It sounds too simple, but I find I get a much clearer picture of the character by doing this.

How long does it usually take you to write the first draft of a novel?

I’m not sure I’ve worked out what’s usual for me yet, as I’ve only just finished the first draft of my second novel. I do know that the second was a lot faster than the first, and the faster I write the better the quality of the draft.

What is a typical day like for you?

I like to write in the mornings, I find that if it’s not my first job it doesn’t get done. It’s my most important job, so I’m slowly getting it cemented into my daily routine that mornings are for writing. I’m almost halfway through a degree in Criminology and Criminal Justice, so my afternoons are currently taken up by study. In the evenings I try and wrap my head around all this social media stuff. It’s a lot of work, but being able to connect with readers and other writers so easily is priceless. There are a lot of really lovely people out there.

Since everybody needs a break, even when doing something they love, how do you like to spend your time away from writing?

I try and go for a walk every afternoon, just to get away from the screen. But the thing that really takes me out of my writing head, which as a crime fiction writer can be quite a scary place, is looking after other people’s children. I have none of my own, which is a personal choice, but I just love being Aunty Cat to all my friends’ kids. I’m sure that in years to come I’ll be known as the crazy aunt who reads and writes books all day, and I’m just fine with that.

Describe your writing in three words.

Man, that’s a hard one. Let’s see, if I could be so bold I’d probably go with intriguing, fast-paced, and unpredictable. Dark Heart certainly meets those criteria, and I’d love to think I can do it again!

What are you working on next?

My next book, Dark Past, will again feature Detectives Cooper & Quinn. This time they are investigating a family with a secret in their past that someone is willing to kill to keep hidden. I can’t tell you too much about it just yet, but it will include some genealogy as well as delving into the cutting edge territory of gene therapy.

Thanks so much, Jenny, for hosting me on your fabulous blog.

Could you live with the heart of a killer? Fraser Grant was a kidnapper, a vile, murdering sociopath. Now he’s dead. Murdered in his own home, the women of Sydney can breathe easy again. All but one. His final victim is still missing — chained up, running out of time, and awaiting a captor who will never return. Detective Sergeant Charlie Cooper is desperate to find the missing woman alive. On the verge of quitting Homicide after a decade chasing the brutal killer, this is his last chance to atone for all the victims he failed.

After a life-saving heart transplant, Eva Matthews just wants things to get back to normal. But when she learns she has the heart of the serial killer, will nothing stop the nightmares that plague her? Dark Heart is a detective story, a race against time to save a life. But it’s also an exploration of cellular memory, the intriguing medical phenomenon of patients receiving more than just an organ from their donor. The terrifying serial killer may be dead, but that is just the beginning…

Connect with Catherine on Twitter, Facebook or on her website.

Q&A with Pamela Cook

Posted on July 29, 2013 by jenniferscoullar

Please welcome fellow rural author, Pamela Cook to Pilyara. She’s also a fellow horse lover, which makes her doubly welcome. Pamela is a writer, teacher and mother of three gorgeous daughters. She also manages a menagerie of dogs, rabbits, birds, fish and horses and her favourite pastime (after writing) is riding her handsome quarter horse, Morocco. And now it’s over to Pamela, to answer some questions about her wonderful debut novel, Blackwattle Lake.

Hi Jenny and thanks so much for having me on your blog.

1. Tell us about your call story Pamela. How did you receive your first offer of publication?

I’d been writing for just over ten years and had spent more than five of those years working on a literary style novel. In November 2009 I took part in Nano – National Novel writing Month, a challenge to write a 50,000 word novel in a month. I put that one away and went back to my original which I entered in the QWC/ Hachette Manuscript Development Program in 2010 but had no luck. I entered again in 2011, submitting both novels and was lucky enough to be chosen to attend the program with my nano novel, Blackwattle Lake. This was an amazing opportunity – a one on one with a publisher, who had read my book. After taking Vanessa’s advice on board I revised the manuscript and sent it back at the end of April 2012 and was ecstatic to receive a phone call about 6 weeks later saying Hachette wanted to publish it. although I hadn’t heard of rural fiction in 2009 when I wrote it this genre had become hugely popular in that period of time, which no doubt helped me get my novel over the line.

2. What is your novel Blackwattle Lake about?

Blackwattle Lake is about Eve Nicholls, who inherits the property where she grew up. On her return to the farm she has to deal with the ghosts of her past – both the dead and those still living but is also drawn back to her love of the land and of horse riding. A series of unexpected events force Eve to confront her painful memories and find the courage to re-connect.

3. What or who inspired this story?

It began with the image of a woman standing at the gate of a rural property, unable to get in as the gate is locked. My daughters and I have 6 horses between us, so I decided to follow the old advice “write what you know”. Doing it as a nano forced me to keep writing and not stop to revise along the way so the story just flowed and came out pretty much as it is in the published book – with a few tweaks and revisions of course.

4. Are there any parts of it that have special personal significance to you?

The property Eve inherits is based on Darkes Forest Ranch where we keep our horses, just south of Sydney. That’s the place I pictured in my head as I was writing. We also have a holiday house on the south coast of NSW which inspired parts of the setting and the town. The horse scenes are pretty special to me – I didn’t take up riding until later in life and it has been an amazing experience to share with my three daughters.

5. What do you see as the major themes in your book?

Eve’s story is about courage, forgiveness and belonging. It’s a huge step for her to return to the farm because of a past tragedy and the fractured family relationships that ensued. But once she’s back there Eve re-discovers her love of the land and of horses and also the sense of being part of a community, all of which she had completely forgotten about – or at least chosen not to remember. In facing the past Eve not only has to forgive others but must forgive herself.

Thank you for visiting Pamela, and telling us about your terrific debut novel. It’s funny, but I didn’t realise I was writing rural fiction at first either! I really relate to that part of your call story. Forgot to ask you what’s next, but I believe your second novel Essie’s Way, is due for release in December 2013 – just in time for Christmas. Congratulations!

For Eve Nicholls, walking up the driveway of her childhood home brings up many emotions, and not all good. The horses that she loved still dot the paddocks but the house is empty, and the silence inside allows her memories to flood back. She’s glad to have her best friend Banjo the kelpie with her . . . and a bottle of bourbon. Her plan is simple: sell the farm, grab the cash and get the hell out.

Despite Eve’s desire to keep a low profile, within days of her return she runs into all the people she hoped to avoid. At the house she is surrounded by memories and worse. But with a lifetime of clutter to sort out, there’s plenty to take her mind off it all. Slowly, she begins to discover the girl she used to be: Angie Flanagan – adventurous, animal-loving, vulnerable. When tragedy strikes, Eve realises that changing her name all those years ago in an attempt to hide from her past has not changed the truth of what happened or who she really is.

Blackwattle Lake is an engaging debut for those who long to uncover who they used to be, and who they might still become.

Contact details:

Website: www.pamelacook.com.au

Blog: www.pamelacook.wordpress.com

Facebook: https://www.facebook.com/PamelaCookAuthor?ref=hl

Twitter: @PamelaCookAU

Sunday With Mr Wigg

Posted on July 14, 2013 by jenniferscoullar

It is with great pleasure that I welcome Inga Simpson to Pilyara this Sunday. Inga is one of my absolute favourite authors! I’ve had the privilege of working with her as my mentor, and I consider her to be, along with Mark Tredinnick, one of Australia’s foremost nature writers. Just read her wonderful essay Triangulation (it won the 2012 Eric Rolls Nature Writing Prize) and I think you’ll agree with me. Inga’s recent release, Mr Wigg, has enchanted reviewers and readers alike with its unique and beautiful voice. ‘Sure to become an Australian classic,’ says one. ‘Reawakens our sense of what is right and good about the world,‘ says another. But enough of my raving! Time to hear from Inga herself …

Welcome to Pilyara, Inga. Could you tell us please, about how Mr Wigg came to be published?

I participated in the 2011 QWC/Hachette Manuscript Development Program, where I received a whole lot of great feedback from the publisher and went away and reworked the novel before resubmitting it. I felt reasonably confident the book would eventually get up but there was a bit of an extended conversation before I felt it was close. I had been expecting the call for a few weeks, forwarding my home phone to my mobile every time I went out … When the call finally came, I was at the train station saying good bye to my partner for a week or so. I saw the number but the train was pulling in – I stressed out and didn’t take the call. Once I had put my partner on the train, the publisher called again. After twice dropping the phone on the floor of the car I managed to answer: CONTRACT!

What is your novel Mr Wigg about?

Mr Wigg is about the final year of one man’s life. He lives on what is left of the family farm in rural New South Wales, tending his magnificent orchard, cooking with his grandchildren, and telling them stories. Living alone is becoming more and more tenuous, but he takes on an ambitious project – forging a wrought iron peach tree – which all comes about because of a fairy tale about a Peach King.

In a way, it’s also a love story. Although Mrs Wigg has recently passed away, he reminisces about their life together. She was a bit of a character – with a particular fondness for the colour aqua.

What or who inspired the story?

To an extent, my paternal grandfather. He grew magnificent peaches! White ones
especially, which I’ve never tasted the likes of since. Wigg is the family name of one of his French ancestors, which really stuck in my head. When I travelled to rural France and saw the way people live – with their village plots and walled orchards, and so much emphasis on growing and cooking and sharing food – I wondered if my grandfather had been living out that part of his genetic heritage without having ever been to France. A character began to take shape, and I was calling the novel “Mr Wigg” long before I started writing. Mr Wigg took on his own character as the book evolved but some of the details, and Mr Wigg’s stories about the old days, are borrowed from my family.

Are there any parts of it that have special personal significance to you?

The novel celebrates the spirit of the landscape where I grew up, and the time – the 1970s. A way of life, too, that has largely been lost. Blacksmithing and woodturning were crafts practised in my family and I value the richness of having been raised among those traditions.

There is something of my childhood memories of my own grandfather in Mr Wigg, too. An honouring of his orcharding skills and generous approach to life.

What do you see as the major themes in your book?

Change was a big theme for me while writing Mr Wigg. Not just ageing, but the decline of big farming families, the landscape, and rural way of life. Care for the environment, too, and respect for our fellow creatures – living in a connected way within the natural world.

Thank you Inga, for answering my questions about your gorgeous new novel. I absolutely loved it, and can’t wait to read whatever comes next!

Mr Wigg

A novel that celebrates the small, precious things in life by a fresh Australian voice.

It’s the summer of 1971, not far from the stone-fruit capital of New South Wales, where Mr Wigg lives on what is left of his family farm. Mrs Wigg has been gone a few years now and he thinks about her every day. He misses his daughter, too, and wonders when he’ll see her again.

He spends his time working in the orchard, cooking and preserving his produce and, when it s on, watching the cricket. It s a full life. Things are changing though, with Australia and England playing a one-day match, and his new neighbours planting grapes for wine. His son is on at him to move into town but Mr Wigg has his fruit trees and his chooks to look after. His grandchildren visit often: to cook, eat and hear his stories. And there s a special project he has to finish…

Trouble is, it’s a lot of work for an old man with shaking hands, but he’ll give it a go, as he always has …

Now, for the winners of the prize-pack draw announced a few weeks ago! Drum roll please! Brendat39 and Beverley Mayne. I’ll email you shortly for the address to post the prizes. Congratulations, and thank you to everybody who entered the draw.

A Spicy Sunday With Kate Belle

Posted on July 7, 2013 by jenniferscoullar

Please welcome Kate Belle to Pilyara. Kate is the author of The Yearning, which is rocketing up the charts – and it’s not just because of its intriguing cover! Kate is a very fine writer, friend and member of my talented writing group, The Little Lonsdale Group. And now its over to Kate for an in depth Q&A …

‘Thanks for having me over here Jen and hello to all your faithful readers.

I’ve taken over a month to get to this post, only because I’ve been writing my second novel and watching with envy as Jen overtakes my word count! Having traversed some of the writing journey with Jen, I’m very excited to see her second novel, Currawong Creek, released. I was planning to share a little post about my hounds because Jen is constantly amused by my hot-to-cold relationship with them, but I might leave that for another time.’

Kate, How did you receive your first offer of publication?

‘The Yearning was written over about 4 years while I worked part time and cared for my pre-school daughter. I attended two consecutive Year of the Novel courses at Writers’ Victoria where I met Jen and a number of other wonderful writers who are published (or soon to be.)

During these courses I ‘grew up’ as a writer and was able to develop The Yearning into a mature enough manuscript to try my luck in the publishing world. My first break came in August 2011 when I attended the Melbourne Romance Writers Australia conference. There I met Sheila Drummond, who agreed to look at The Yearning and rang me immediately after the conference with an offer to represent me.

Sheila started shopping The Yearning around late that year, but it would be another 12 months before she secured an offer for it. In the meantime she managed to get me a contract for two erotic novellas with newly launched Random Romance imprint. At the time I was working in a restructured job in the public service and was pretty miserable. When voluntary redundancies were announced I eagerly put my hand up. I had surgery on my knee in September 2012 and as I lay in bed recovering I received a redundancy offer and a contract for The Yearning on the same day. It seemed like divine coincidence. I crossed my fingers, signed them both, and prepared to start a new life as a full time writer in 2013.’

What is your story about Kate?

The Yearning is an exploration of love and desire, and the social and emotional boundaries we are willing to cross to get what we want. It’s an intimate account of the thrills and dangers of first love. My sixteen year old protagonist, who remains unnamed throughout the novel, lures her charismatic teacher, Solomon Andrews, into an illicit affair with erotic love notes. The pair are discovered and separated, but she can’t let her memories of Solomon go and is haunted by their affair until they meet again by accident twenty five years later. The ramifications of the affair have reverberated throughout both their lives and the two must come to a deeper understanding of their sensual relationship and what it really meant.’

What or who inspired The Yearning?

‘I find this question a difficult one to answer. The Yearning evolved over a long time. The letters my protagonist sends to Solomon come from unsent letters I wrote to lovers. In early drafts parts of the letters headed up each chapter.

Some of The Yearning was initially put together from a collection of short stories I saw had a common thread. In truth, I think I drew much of the emotional content from my own unfulfilled longings for a relationship in my past that was never quite fulfilled. I felt a spiritual connection to this person, but being at different points in our lives meant we chose to leave the relationship behind. This experience has provided great fodder for writing about unrequited longing.’

Are there any parts of The Yearning that have special personal significance to you?

‘The year The Yearning is set is a special year for me. 1978 was the last year we lived in the country town of Benalla, where I grew up. I was on the cusp of teenagehood and sensed an enormous change encroaching upon me. It was the year I learned about Countdown and boys and politics. Australia was in the aftermath of massive social, political and cultural change after the dismissal of the Whitlam Government. Civil rights, Aboriginal rights, Women’s rights movements were all shaking a sleepy Australia awake. It was a powerful time of change, a national coming of age if you like, and a perfect time in which to place a promiscuous teacher and his love struck student.’

What do you see as the major themes in your book?

‘It’s clear from reader responses there are many discussion worthy themes in The Yearning. I can’t tell you the number of people who have contacted me once they’ve finished it to tell me they can’t stop thinking about it, can’t sleep, need to talk to someone about it. It’s that kind of book.

Most chapters are introduced with quotes from the biblical Song of Songs (Song of Solomon) because that text reflects the passion of erotic love and the stanzas I chose capture the essence of the chapter theme. The sexual/emotional power play between Solomon and his student demonstrates the complexity of student/teacher attractions. The reader is prompted to ask, who holds the power? Who is seducing who?

I believe my anonymous protagonist’s experiences in love, sexuality and family are common to many women. I think lots of female readers will relate to her feelings of obsessive first love and loss, her expectations and disappointments in marriage, her joy in her children, her frustrations with her family, her attempts to live authentically in spite of the expectations of those around her.

The Yearning also talks to the cycle of damage done to men by their fathers (and mothers), the difference between sex and eros (or lust and love), the arbitrariness of the age of consent and how it isn’t really a protection from the ramifications of entering a mature sexual relationship too young.

It’s a complex book and I hope those of you who choose to read find much to enjoy in it.’

Thank you Kate for your thoughtful responses and congratulations again on your gorgeous book! And next time, I definitely want to talk about those dogs of yours …

It’s 1978 in a country town and a dreamy fifteen year old girl’s world is turned upside down by the arrival of the substitute English teacher. Solomon Andrews is beautiful, inspiring and she wants him like nothing else she’s wanted in her short life.

Charismatic and unconventional, Solomon easily wins the hearts and minds of his third form English class. He notices the attention of one girl, his new neighbour, who has taken to watching him from her upstairs window. He assumes it a harmless teenage crush, until the erotic love notes begin to arrive.

Solomon knows he must resist, but her sensual words stir him. He has longings of his own, although they have nothing to do with love, or so he believes. One afternoon, as he stands reading her latest offering in his driveway, she turns up unannounced. And what happens next will torment them forever – in ways neither can imagine.

Read an extract here: (http://issuu.com/simonschusteraustralia/docs/the_yearning_by_kate_belle)

Buy The Yearning:

Ebook: Amazon (http://www.amazon.com/The-Yearning-ebook/dp/B00BSVMRC4) or iTunes (https://itunes.apple.com/au/book/the-yearning/id576561492?mt=11)

Print book: Target, Kmart, Myer, Collins, Dymocks, Big W, Eltham Bookshop and other independent bookshops (http://www.truelocal.com.au/find/book-shop/) and major airports.

Reading group questions here (http://books.simonandschuster.com.au/Yearning/Kate-Belle/9781922052643/reading_group_guide#rgg)

Kate is a multi-published author who writes dark, sensual contemporary women’s fiction. She lives, writes and loves in Melbourne, juggling her strange, secret affairs with her male characters with her much loved partner and daughter, and a menagerie of neurotic pets.

Kate holds a tertiary qualification in chemistry, half a diploma in naturopathy and a diploma in psychological astrology. Kate believes in living a passionate life and has ridden a camel through the Australian desert, fraternised with hippies in Nimbin, had a near birth experience and lived on nothing but porridge and a carrot for 3 days.

Blog/website: http://www.ecstasyfiles.com

Facebook: http://www.facebook.com/katebelle.x

Twitter: @ecstasyfiles https://twitter.com/ecstasyfiles

A Satisfying Ending

Posted on June 16, 2013 by jenniferscoullar

I’m sixty thousand words into my work-in-progress, two-thirds of the way through a novel which will end up being about ninety thousand words. If it was a screen play, I’d be entering the final act.

In the first third of the manuscript, the first act in screenwriting terms, the premise is set up for the reader. What sort of a story is it, and what is it about? Who is the heroine and what does she want more than anything? Who is the antagonist? In many ways the antagonist becomes the engine room of the story. Meeting this character provides the reader with an answer to the final important question. What is the main conflict going to be?

In the middle third of the manuscript, or second act, life is becoming progressively more difficult for my heroine, Nina. This is when an author can torture her main character, in fact it’s almost mandatory! Plans fail, alliances break down, dreams are dashed. Nina’s choices become harder and harder. She has, as the ancient Greeks would say, her long, dark night of the soul. My god, is Nina ever in a bind! But she never gives up. She remains single-mindedly determined to achieve her goal, whatever the sacrifice.

Minette Walters

I’m about to launch into my last thirty thousand words – the final act. If I don’t provide my readers with a satisfying finish to the story, I’ll have wasted my time. But I must admit that, despite doing a lot more planning this time, I don’t know exactly how the book ends. I once watched a fascinating documentary on English crime writer Minette Walters. It followed the progress of her novel The Shape Of Snakes. Half way through this complicated psychological thriller about a twenty year old murder mystery, Minette still didn’t know who had committed the crime. Quite the panster! Apparently she writes all her books like that.

“It’s like flying by wire. You embark with nothing, just a tightrope across a chasm. It’s a much more enjoyable way to write because I have to work it out along with the reader. If I don’t know who did it until half way, the reader is going to be fairly fazed as well.” M Walters

There’s a lot of truth, for me anyway, in what she says. Plotting too carefully, can kill the interest and excitement in writing the story. It becomes a chore. So I won’t worry about my ending, not just yet. I’ll just pray for a visit from the plot fairy!

Sunday With Jenn J Mcleod

Posted on April 7, 2013 by jenniferscoullar

Today please welcome author Jenn J Mcleod to Pilyara. Jenn quit Sydney’s corporate chaos to buy a little café in a small town. She now spends her days running a unique, dog-friendly B&B on her NSW property and writing life-affirming novels about friendship, family and small towns in which country roots run deep. Her debut novel A House For All Seasons, has impressed everybody with its moving story of friendship, family and forgiveness. And now, it’s over to Jenn …

‘Thanks for having me Jen. I just finished a fun interview for the Sweet Escape website. It’s a confession really – about how authors fall in love with their fictional characters. As a writer of fiction, I get to play around with features, quirks and characteristics all the time – a bit like a Mr Potato Head (only more attractive!) or maybe a Police Identity-sketch kit (only not so creepy!) As a pantster (the industry term for writing by the seat of one’s pants rather than plotting) I sit at my desk and let the story take me on a journey. Then, along the way, I fall in love with my conflicted characters – the good, the bad and the flawed.

Just like a Mr Potato Head can never be George Clooney, made-up people don’t need to be perfect either. As one of my characters says in House for all Seasons, “I’m a flawed person trying to be good”, and I think it’s the ‘do good’ rather than the ‘be perfect’ that makes a person beautiful. So yes, flawed characters make for a more authentic story, and readers relate to authenticity. They expect it from their authors.

My approach to inventing fictional settings for my small town stories also involves a kind of morphing of favourite features. Four small NSW towns influenced the Calingarry Crossing township in House for all Seasons: Sawtell, Bellingen, Bowraville and Ulmarra – only I plonked it just west of the Great Divide.

I admit to loving a small town setting because small towns provide the perfect stage for conflict and drama – mostly because everything seems amplified and more personal in a small town. I also enjoy debunking small town generalisations. For a start, ‘small town’ in no way means small-minded. And there are other perceptions – namely that people in small towns are laid-back, open and friendly (almost cliched). But underneath they can be quite insular, cliquey, wary – especially of newcomers. I think balance is the key.

When it was time to type the words the end on my latest release, House for all Seasons, I struggled to let go. I’d fallen in love with my made-up town and wasn’t ready to leave. So, although I didn’t intend linking novels, next year’s release – The Simmering Season – picks up secondary threads, weaving them into a school reunion story with a difference; one that brings home more than memories for Calingarry Crossing’s publican, Maggie Lindeman.

With some terrific reviews for House for all Seasons, there is a recurrent comment about both my characters and setting – they are authentic. Authenticity is what my publisher said made her fall in love with House for all Seasons. The secret for me is writing what I know. I moved to a small town, many years ago now, where knowing everyone in town is comforting – until there’s a secret you want to keep! I remember those early days of my tree-change when I moved from Sydney to buy a small cafe in a small country town. Such mixed emotions: excited, terrified—humbled by the wonderful welcome of a very friendly community. It was like coming home. ‘Coming home’ has provided me with an author platform from which to create and promote my small town stories like House for all Seasons: In a country house surrounded by the past, four friends will discover… small towns can keep big secrets.

House for all Seasons is a story about coming home and of country roots that run deep.

In order to claim an unexpected inheritance – the century-old Dandelion House on the outskirts of Calingarry Crossing – four estranged school friends return to their hometown after twenty years and stay a season each to fulfil the wishes of their benefactor, Gypsy.

Poppy, a tough, ambitions journo still craving her father’s approval;

Sara, a breast cancer survivor afraid to fall in love;

Amber, a spoilt socialite addicted to painkillers and cosmetic procedures;

Caitlin, a third generation doctor frustrated by a controlling family and her flat-lining life.

House for all Seasons is a story of unravelling friendships and of ties that will forever bind four women to each other and to the century-old Dandelion house.

There are such fabulous town names in Australia. Not until I started coming up with names (checking them in Google to see if they already existed) did I discover some beauties, like the NSW town called Willow Tree. Isn’t that lovely?

Do you have favourite fiction town names – or perhaps know of some uniquely Australian town names to share?’

Thanks Jenn, for a fascinating post! I know a lot of people, including me, are looking forward to your next release. Don’t forget that in honour of Aussie Author month I’m giving away two of my books (Brumby’s Run and Wasp Season; see previous post). To go into the draw, just leave a comment saying why you love Aussie stories. Winners announced 30th April.

Aussie Author Month – Rural Fiction (Plus A Giveaway!)

Posted on April 1, 2013 by jenniferscoullar

April is Aussie Author Month and celebrates the uniqueness and quality of Australian literature. It was started in 2011 by a group of reviewers and readers who wanted something special to celebrate Aussie authors. Genre and style doesn’t matter, it’s about a love of literature and a desire to promote home-grown reading to a wider community. Another important aspect of Aussie Author Month is recognising that literacy in this country isn’t as widespread as it should be, particularly among Indigenous and remote communities. It aims to raise awareness and fundraise for the Indigenous Literacy Foundation.

I’m an Aussie rural author, and am proud to be part of a burgeoning publishing success story – one being led exclusively by women writers. In a challenging time for publishers, Aussie rural lit has defied the trends with sales more than tripling in the past four years. Authors such as Rachael Treasure, Nicole Alexander and Fiona Palmer routinely outsell other local fiction.

One reason for the popularity of this genre, is that the heroines are generally tough, independent and capable people. Unlike the characters in a lot of chick-lit, they are not obsessed with shopping and finding a man. But there is another, more important reason. At the heart of this sort of fiction is a passion for the Australian countryside. Speaking personally, while I love to explore the complexities of human relationships, my narratives are always informed by the bush, together with its flora and fauna.

Australia’s wild landscapes are powerful settings. In cities, many people live lives so far removed from nature, that they rarely even touch the earth. But at what cost? The cost to our declining environment? The cost to our hearts? I think the world is hungry to reconnect with nature, to ground itself. The rural lit genre taps into this vein. When we lose touch with wildness, we lose touch with who we really are.

To celebrate Aussie Author Month I’m giving away a copy each of Brumby’s Run and Wasp Season. Just leave a comment saying what you love about Aussie stories for your chance to win! Winners announced April 30th. Aust & NZ entrants only.

Jennifer Scoullar – Bestselling Author of Australian Fiction

'A love affair with the wild …'

Tag Archives: Australian Women Writers